The art of music, Vol. 05 (of 14) : $b The voice and vocal music
History
The art of music, Vol. 05 (of 14) : $b The voice and vocal music
Music -- History and criticism; Musicians
Here is the original singer. He has existed all over the world in every
age, probably, since civilization began to dawn. We are very wrong
in thinking of songs as normally written by special composers and
sung by special singers in concert halls. Such a situation is not the
usual but the unusual one. For, generally speaking, it is not special
people who are singers but ordinary people. Artists have been in the
habit of thinking that the world is divided into ordinary men and
artists. William Morris startled them by declaring that ordinary men
_are_ artists--that to be artistic is the normal condition of ordinary
men. It is only our materialistic civilization, he said, that has
made men inartistic. And historically, at least, he is quite right.
It is only in recent times, and in certain nations, that it has come
to be regarded as unusual that an ordinary man should be a singer. In
all other ages, we may safely say, and in nearly all nations, it was
regarded as unusual that an ordinary man should _not_ be a singer.
Singing has always been as natural to man as running, or whistling, or
making love. It is only in these latter times that a man who sings for
the joy of it is thought ‘queer.’
The songs that have been written down on paper are of course only
the smallest fraction of those that have been invented. It is a very
unusual adventure for a song to get written down on paper. Not one out
of a thousand experiences it. Most songs are ‘made up’ by some ordinary
person at work or at play, remembered and repeated, imitated by some
one else and changed a little and passed on. They live from mouth to
mouth and in the hearts of people. Every nation, until it became too
lettered and too self-conscious, had its songs of this kind, many of
them beautiful enough to be known by thousands of people, some the
property of only a few. In Italy investigators have recently noted down
thousands of songs that never touched paper before, but they were only
a tiny part of the songs that were passing from mouth to mouth. So it
has been in every country. Greenland and Iceland have their songs which
originated no one knows where or when. We possess folk-songs of China,
Japan, and India. The phonograph has noted down hundreds of songs of
the North American Indians. And every country in Europe has yielded
songs innumerable.
Public-domain text, read in full here on John Shaqi.
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