American prose literature; English prose literature; Narration (Rhetoric)
_Robert Louis Stevenson_ The Lantern Bearers 408
_Felix Timmermans_ Kermis Morning 414
_Grace E. Polk_ The Forger 422
_John Galsworthy_ Quality 427
Selected Bibliography of Sketches 435
CHAPTER XII
STORIES 436
_H. C. Bunner_ A Sisterly Scheme 439
_Francis Buzzell_ Lonely Places 450
_Guy de Maupassant_ Two Friends 467
_Willa Cather_ The Sculptor’s Funeral 475
Selected Bibliography of Short Stories 494
THE ART OF NARRATION
CHAPTER I
_Expository Narrative_
Expository narrative tells a story not primarily for the sake of the
story, but for the sake of the information conveyed to the reader.
It is really narration turned to serve the purposes of exposition.
It is particularly useful in explaining a process, the work of
any particular trade or profession, or the details of existence
in any time or place. The chronological order carries the reader
along without difficulty, and the fact that the account deals with
a specific example makes it more interesting than a generalized
explanation could be.
In using this method, it is necessary to choose a subject in which
the succession of events is of genuine importance. Explanation of a
condition or situation does not have movement enough, and a process
which is largely hidden from sight or which is too complicated to
be readily followed lacks the necessary story element. It is best,
therefore, to choose a subject in which one may discern a clear march
of events, preferably with an unmistakable beginning and end, such as
the first step in the treatment of raw material and the completion
of the finished article, or, in another case, the morning and the
evening of a single day. Having chosen such a subject, fix upon one
occasion which is both typical and interesting, and begin at the
beginning of the story, leaving necessary explanations to be brought
in later. A particularly interesting incident may be related as
happening on this imaginary occasion, or the thread of the narrative
may break off to permit a slight digression, as in “A Day in an
Oxford College” when the anecdote of the two brothers is inserted,
not as having happened on the particular day whose events are being
recounted, but as being true of the time of day which the narrative
has reached.
Public-domain text, read in full here on John Shaqi.
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