The Art of Needle-work, from the Earliest Ages, 3rd ed.: Including Some Notices of the Ancient Historical TapestriesMenzies, Sutherland, active 1840-1883
History
The Art of Needle-work, from the Earliest Ages, 3rd ed.: Including Some Notices of the Ancient Historical Tapestries
Menzies, Sutherland, active 1840-1883
Needlework; Tapestry
When Cambyses wished to attain some point from an Ethiopian prince, he
forwarded, amongst other presents, a rich vest. The Ethiopian, taking
the garment, inquired what it was, and how it was made; but its
glittering tracery did not decoy the unsophisticated prince. When
Xerxes arrived at Acanthos, he interchanged the rites of hospitality
with the people, and presented several with Median vests. Probably our
readers will remember the circumstance of Alexander making the mother
of Darius a present of some rich vestures, probably of woollen
fabrics, and telling her that she might make her grandchildren learn
the art of weaving them; at which the royal lady felt insulted and
deeply hurt, as it was considered ignominious by the Persian women to
work in wool. Hearing of her misapprehension, Alexander himself waited
on her, and in the gentlest and most respectful terms told the
illustrious captive that, far from meaning any offence, the custom of
his own country had misled him; and that the vestments he had offered
were not only a present from his royal sisters, but wrought by their
own hands.
Outre as appear some of the flaring patterns of the present day, the
boldest of them must be _quiet_ and unattractive compared with those
we read of formerly, when not only human figures, but birds and
animals, were wrought not merely on hangings and carpets but on
wearing apparel. Ciampini gives various instances.[6]
What changes, says he, do not a long course of years produce! Who now,
except in the theatre, or at a carnival or masquerade (spectaculis ac
rebus ludiciis), would endure garments inscribed with verses and
titles, and painted with various figures? Nevertheless, it is plain
that such garments were constantly used in ancient times. To say
nothing of Homer, who assigns to Ulysses a tunic variegated with
figures of animals; to say nothing of the Massagetae, whom Herodotus
relates painted animals on their garments with the juice of herbs; we
also read of these garments (though then considered very antiquated)
being used under the Caesars of Rome.
They say that Alcisthenes the Sybarite had a garment of such
magnificence that when he exhibited it in the Temple of Juno at
Lacinium, where all Italy was congregated, it attracted universal
attention. It was purchased from the Carthaginians, by Dionysius the
elder, for 120 talents. It was twenty-two feet in breadth, of a purple
ground, with animals wrought all over, except in the middle, where
were Jupiter, Juno, Themis, Minerva, Apollo, Venus: on one sleeve it
had a figure of Alcisthenes, on the other of his city Sybaris.
That this description is not exaggerated may be inferred from the
following passage from a homily on Dives and Lazarus by a Bishop of
Amuasan in Pontus, given by Ciampini.
Public-domain text, read in full here on John Shaqi.
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