The Art of Needle-work, from the Earliest Ages, 3rd ed.: Including Some Notices of the Ancient Historical TapestriesMenzies, Sutherland, active 1840-1883
History
The Art of Needle-work, from the Earliest Ages, 3rd ed.: Including Some Notices of the Ancient Historical Tapestries
Menzies, Sutherland, active 1840-1883
Needlework; Tapestry
Needlework is an art so indissolubly connected with the convenience
and comfort of mankind at large, that it is impossible to suppose any
state of society in which it has not existed. Its modes varied, of
course, according to the lesser or greater degrees of refinement in
other matters with which it was connected; and when we find from
Muratori that "nulla s'e detto fin qui dell'Arte del Tessere dopo la
declinazione del Romano Imperio; e solo in fuggire s'e parlato di
alcune vesti degli antichi," we may fairly infer that the _ornamental_
needlework of the time was not extensively encouraged, although never
entirely laid aside.
The desolation that overran the world was found alike in its greatest
or most insignificant concerns; and the same torrent that swept
monarchs from their thrones and peers from their halls did away with
the necessity for professors of the decorative arts. There needed not
the embroiderer of gold and purple to blazon the triumph of a
conqueror who disdained other habiliment than the skin of some
slaughtered beast.[9]
The matron who yet retained the principle of Roman virtue, or the fair
and refined maiden of the eastern capital, far from seeking personal
adornment, rather shunned any decoration which might attract the eyes
and inflame the passions of untamed and ruthless conquerors. All usual
habits were subverted, and for long years the history of the European
world is but a bloody record of war and tumult, of bloodshed and
strife. Few are the cases of peace and tranquillity in this desert of
tumult and blood-guiltiness; but those few "isles of the blessed" in
this ocean of discord, those few sunny spots in the gloomy landscape,
are intimately connected with our theme. The use of the needle for the
daily necessities of life could never, as we have remarked, be
superseded; but the practice of ornamental needlework, in common with
every ennobling science and improving art, was kept alive during this
period of desolation by the church, and by the individual labours and
collective zeal of the despised and contemned monks.
Public-domain text, read in full here on John Shaqi.
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