The Art of Needle-work, from the Earliest Ages, 3rd ed.: Including Some Notices of the Ancient Historical Tapestries — John Shaqi
The Art of Needle-work, from the Earliest Ages, 3rd ed.: Including Some Notices of the Ancient Historical TapestriesMenzies, Sutherland, active 1840-1883
History
The Art of Needle-work, from the Earliest Ages, 3rd ed.: Including Some Notices of the Ancient Historical Tapestries
Menzies, Sutherland, active 1840-1883
Needlework; Tapestry
In later and less imaginative times, the peacock, though still a
favourite dish at a banquet, seems to have been regarded more from its
affording "good eating" than from any more refined attribute.
Massinger speaks of
"the carcases
Of three fat wethers bruised for gravy, to
Make sauce for a single peacock."
In Shakspeare's time the bird was usually put into a pie, the head,
richly gilt, being placed at one end of the dish, and the tail, spread
out in its full circumference, at the other. And alas! for the
degeneracy of those days. The solemn and knightly adjuration of former
times had even then dwindled into the absurd oath which Shakspeare
puts into the mouth of Justice Shallow:--
"By _cock_ and _pye_, Sir, you shall not away to night."
In some of the French tapestries birds of all shapes, natural and
unnatural, of all sizes and in all positions, form very important
parts of the subjects themselves; though this remark is hardly in
place here, as the tapestries are of later date, and not solely
needlework. To return, however: mention is made in an old chronicle of
_antiquitas Congregatio Ancilarum, quae opere plumario ornamenta
ecclesiam laborabant_. It has been a subject of much discussion
whether this Opus Plumarium signified some arrangement of real
feathers, or merely fanciful embroidery in imitation of them.
Lytlyngton, Abbot of Croyland, in Edward the Fourth's time, gave to
his church nine copes of cloth of gold, exquisitely feathered.[17]
This was perhaps embroidered imitation. A vestment which Cnute the
Great presented to this abbey was made of silk embroidered with eagles
of gold. Richard Upton, elected abbot in 1417, gave silk embroidered
with falcons for copes; and about the same time John Freston gave a
rich robe of Venetian blue embroidered with golden eagles. These were
positively imitations merely; yet they evince the prevailing taste for
feathered work, and, as we have shown, feathers themselves were much
used. It is recorded that Pope Paul the Third sent King Pepin a
present of a mantle interwoven with peacocks' feathers.
Public-domain text, read in full here on John Shaqi.
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