Children -- Books and reading; Children's literature -- Bibliography; Children's stories -- Bibliography; Storytelling
In my own personal experience, and I have told this story often in the
German ballad form to girls of ten and twelve in the high schools in
England, I have never found one girl who sympathized with the lady or
who failed to appreciate the poetic justice meted out to her in the
end by the dignified renunciation of the knight.
Chesterton defines sentimentality as "a tame, cold, or small and
inadequate manner of speaking about certain matters which demand
very large and beautiful expression."
I would strongly urge upon young teachers to revise, by this
definition, some of the stories they have included in their
repertories, and see whether they would stand the test or not.
4. _Stories containing strong sensational episodes_. The danger
of this kind of story is all the greater because many children delight
in it and some crave for it in the abstract, but fear it in the
concrete.[15]
An affectionate aunt, on one occasion, anxious to curry favor with a
four-year-old nephew, was taxing her imagination to find a story
suitable for his tender years. She was greatly startled when he
suddenly said, in a most imperative tone: "Tell me the story of a bear
eating a small boy." This was so remote from her own choice of
subject that she hesitated at first, but coming to the conclusion that
as the child had chosen the situation he would feel no terror in the
working up of its details, she a most thrilling and blood-curdling
story, leading up to the final catastrophe. But just as she reached
the great dramatic moment, the child raised his hands in terror and
said: "Oh! Auntie, don't let the bear really eat the boy!"
"Don't you know," said an impatient boy who had been listening to a
mild adventure story considered suitable to his years, "that I don't
take any interest in the story until the decks are dripping with
gore?" Here we have no opportunity of deciding whether or not the
actual description demanded would be more alarming than the listener
had realized.
Here is a poem of James Stephens, showing a child's taste for
sensational things:
A man was sitting underneath a tree
Outside the village, and he asked me
What name was upon this place, and said he
Was never here before. He told a
Lot of stories to me too. His nose was flat.
I asked him how it happened, and he said,
The first mate of the _Mary Ann_ done that
With a marling-spike one day, but he was dead,
And a jolly job too, but he'd have gone a long way
to have killed him.
A gold ring in one ear, and the other was bit off by
a crocodile, bedad,
That's what he said: He taught me how to chew.
He was a real nice man. He liked me too.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account