The Art of War in the Middle Ages A.D. 378-1515Oman, Charles
History
The Art of War in the Middle Ages A.D. 378-1515
Oman, Charles
Military art and science -- History -- Medieval, 500-1500; Military history, Medieval
From the first Zisca set himself to introduce fire-arms
among the Bohemians: at length nearly a third of them were armed with
‘hand-guns,’ while a strong train of artillery accompanied every force.
A Hussite army in movement had its regular order of march. Wherever the
country was open enough it formed five parallel columns. In the centre
marched the cavalry and artillery, to each side of them two divisions
of waggons accompanied by their complements of infantry. The two outer
divisions were longer than the two which marched next the horsemen and
the guns. The latter were intended--in the case of a sudden attack--
to form the front and rear of a great oblong, of which the longer
divisions were to compose the sides. To enable the shorter columns
to wheel, one forward and the other backward, no great time would be
required, and if the few necessary minutes were obtained, the Hussite
order of battle stood complete. To such perfection and accuracy was the
execution of this manœuvre brought, that we are assured that a Bohemian
army would march right into the middle of a German host, so as to
separate division from division, and yet find time to throw itself into
its normal formation just as the critical moment arrived. The only real
danger was from artillery fire, which might shatter the line of carts:
but the Hussites were themselves so well provided with cannon that they
could usually silence the opposing batteries. Never assuredly were the
tactics of the ‘laager’ carried to such perfection; were the records
of the Hussite victories not before us, we should have hesitated to
believe that the middle ages could have produced a system whose success
depended so entirely on that power of orderly movement which is usually
claimed as the peculiar characteristic of modern armies.
But in the Bohemia of the fifteenth century, just as in the England of
the seventeenth, fanaticism led to rigid discipline, not to disorder.
The whole country, we are assured, was divided into two lists of
parishes, which alternately put their entire adult population in the
field. While the one half fought, the other remained at home, charged
with the cultivation of their own and their neighbours’ lands. A
conscription law of the most sweeping kind, which made every man a
soldier, was thus in force, and it becomes possible to understand the
large numbers of the armies put into the field by a state of no great
extent.
Public-domain text, read in full here on John Shaqi.
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