The Art of War in the Middle Ages A.D. 378-1515Oman, Charles
History
The Art of War in the Middle Ages A.D. 378-1515
Oman, Charles
Military art and science -- History -- Medieval, 500-1500; Military history, Medieval
Zisca’s first victories were to his enemies so unexpected and so
marvellous, that they inspired a feeling of consternation. The
disproportion of numbers and the inexperience of the Hussites being
taken into consideration, they were indeed surprising. But instead of
abandoning their stereotyped feudal tactics, to whose inability to
cope with any new form of military efficiency the defeats were really
due, the Germans merely tried to raise larger armies, and sent them
to incur the same fate as the first host which Sigismund had led
against Prague. But the engagements only grew more decisive as Zisca
fully developed his tactical methods. Invasion after invasion was a
failure, because, when once the Bohemians came in sight, the German
leaders could not induce their troops to stand firm. The men utterly
declined to face the flails and pikes of their enemies, even when
the latter advanced far beyond their rampart of waggons, and assumed
the offensive. The Hussites were consequently so exalted with the
confidence of their own invincibility, that they undertook, and often
successfully carried out, actions of the most extraordinary temerity.
Relying on the terror which they inspired, small bodies would attack
superior numbers when every military consideration was against them,
and yet would win the day. Bands only a few thousand strong sallied
forth from the natural fortress formed by the Bohemian mountains,
and wasted Bavaria, Meissen, Thuringia, and Silesia, almost without
hindrance. They returned in safety, their war-waggons laden with the
spoil of Eastern Germany, and leaving a broad track of desolation
behind them. Long after Zisca’s death the prestige of his tactics
remained undiminished, and his successors were able to accomplish feats
of war which would have appeared incredible in the first years of the
war.
Public-domain text, read in full here on John Shaqi.
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