The Art of War in the Middle Ages A.D. 378-1515 — John Shaqi
The Art of War in the Middle Ages A.D. 378-1515Oman, Charles
History
The Art of War in the Middle Ages A.D. 378-1515
Oman, Charles
Military art and science -- History -- Medieval, 500-1500; Military history, Medieval
For centuries war was studied as an art in the East, while in the
West it remained merely a matter of hard fighting. The young Frankish
noble deemed his military education complete when he could sit his
charger firmly, and handle lance and shield with skill. The Byzantine
patrician, while no less exercised in arms[31], added theory to empiric
knowledge by the study of the works of Maurice, of Leo, of Nicephorus
Phocas, and of other authors whose books survive in name alone. The
results of the opposite views taken by the two divisions of Europe
are what might have been expected. The men of the West, though they
regarded war as the most important occupation of life, invariably
found themselves at a loss when opposed by an enemy with whose tactics
they were not acquainted. The generals of the East, on the other hand,
made it their boast that they knew how to face and conquer Slav or
Turk, Frank or Saracen, by employing in each case the tactical means
best adapted to meet their opponents’ method of warfare.
The directions for the various emergencies given by the Emperor Leo
impress us alike as showing the diversity of the tasks set before the
Byzantine general, and the practical manner in which they were taken in
hand. They serve indeed as a key to the whole system of the art of war
as it was understood at Constantinople.
‘The Frank,’ says Leo[32], ‘believes that a retreat under any
circumstances must be dishonourable; hence he will fight whenever you
choose to offer him battle. This you must not do till you have secured
all possible advantages for yourself, as his cavalry, with their long
lances and large shields, charge with a tremendous impetus. You should
deal with him by protracting the campaign, and if possible lead him
into the hills, where his cavalry are less efficient than in the plain.
After a few weeks without a great battle his troops, who are very
susceptible to fatigue and weariness, will grow tired of the war, and
ride home in great numbers.... You will find him utterly careless as to
outposts and reconnaisances, so that you can easily cut off outlying
parties of his men, and attack his camp at advantage. As his forces
have no bonds of discipline, but only those of kindred or oath, they
fall into confusion after delivering their charge; you can therefore
simulate flight, and then turn them, when you will find them in utter
disarray. On the whole, however, it is easier and less costly to wear
out a Frankish army by skirmishes and protracted operations rather than
to attempt to destroy it at a single blow.’
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