The Art of War in the Middle Ages A.D. 378-1515 — John Shaqi
The Art of War in the Middle Ages A.D. 378-1515Oman, Charles
History
The Art of War in the Middle Ages A.D. 378-1515
Oman, Charles
Military art and science -- History -- Medieval, 500-1500; Military history, Medieval
This reform Maurice succeeded in carrying out, to the great benefit
of the discipline and loyalty of his army. He next took in hand
the reducing of the whole force of the empire to a single form of
organization. The rapid decrease of the revenues of the state, which
had set in towards the end of Justinian’s reign, and continued to
make itself more and more felt, had apparently resulted in a great
diminution in the number of foreign mercenaries serving in the Roman
army. To the same end contributed the fact that of the Lombards,
Herules, and Gepidæ, the nations who had furnished the majority of the
imperial Foederati, one race had removed to other seats, while the
others had been exterminated. At last the number of the foreign corps
had sunk to such a low ebb, that there was no military danger incurred
in assimilating their organization to that of the rest of the army.
The new system introduced by Maurice was destined to last for nearly
five hundred years. Its unit, alike for infantry and cavalry, was
the βάνδον {bandon}[49]--a weak battalion or horse-regiment of 400
men, commanded by an officer who usually bore the vulgarized title of
‘comes[50],’ but was occasionally denominated by the older name of
τριβῶνος {tribônos}, or military tribune. Three ‘bands’ (or τάγματα
{tagmata} as they were sometimes styled) formed a small brigade,
called indifferently μοῖρα {moira}, χιλιαρχία {chiliarchia}, or
δροῦγγος {droungos}[51]. Three ‘drunges’ formed the largest military
group recognised by Maurice, and the division made by their union was
the ‘turma’ or μέρος {meros}. Nothing can be more characteristic of
the whole Byzantine military system than the curious juxtaposition of
Latin, Greek, and German words in its terminology. Upon the substratum
of the old Roman survivals we find first a layer of Teutonic names
introduced by the ‘Foederati’ of the fourth and fifth centuries,
and finally numerous Greek denominations, some of them borrowed
from the old Macedonian military system, others newly invented. The
whole official language of the Empire was in fact still in a state
of flux; Maurice himself was hailed by his subjects as ‘Pius, Felix,
Augustus[52],’ though those who used the title were, for the most part,
accustomed to speak in Greek. In the ‘Stratêgikon’ the two tongues are
inextricably mixed: ‘before the battle,’ says the emperor, ‘let the
counts face their bands and raise the war-cry “Δεοῦς Νοβισκοῦμ {Deous
Nobiskoum}” (Deus nobiscum), and the troopers will shout the answering
cry “Κύριε, Ἐλέησον {Kyrie, Eleêson}.”’
Public-domain text, read in full here on John Shaqi.
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