The Art of War in the Middle Ages A.D. 378-1515Oman, Charles
History
The Art of War in the Middle Ages A.D. 378-1515
Oman, Charles
Military art and science -- History -- Medieval, 500-1500; Military history, Medieval
It would appear that Maurice had intended to break down the barrier,
which had been interposed in the fourth century, between the class
which paid the taxes and that which recruited the national army. ‘We
wish,’ he writes, ‘that every young Roman of free condition should
learn the use of the bow, and should be constantly provided with that
weapon and with two javelins.’ If, however, this was intended to be
the first step towards the introduction of universal military service,
the design was never carried any further. Three hundred years later
Leo is found echoing the same words, as a pious wish rather than as
a practical expedient. The rank and file, however, of the imperial
forces were now raised almost entirely within the realm, and well nigh
every nation contained in its limits, except the Greeks, furnished a
considerable number of soldiers. The Armenians and Isaurians in Asia,
the ‘Thracians’ and ‘Macedonians’--or more properly the semi-Romanized
Slavs--in Europe, were considered the best material by the recruiting
officer.
The extraordinary permanence of all Byzantine institutions is
illustrated by the fact that Maurice’s arrangements were found almost
unchanged three hundred years after his death. The chapters of Leo’s
‘Tactica’ which deal with the armament and organization of the
troops are little more than a reëdition of the similar parts of his
predecessor’s ‘Stratêgikon.’ The description of the heavy and light
horseman, and of the infantry soldier, are identical in the two works,
except in a few points of terminology.
The καβαλλάριος {kaballarios}, or heavy trooper, wore at both epochs a
steel cap surmounted by a small crest, and a long mail shirt, reaching
from the neck to the thighs. He was also protected by gauntlets and
steel-shoes, and usually wore a light surcoat over his mail. The horses
of the officers, and of the men in the front rank, were furnished
with steel frontlets and poitrails. The arms of the soldier were a
broad-sword (σπάθιον {spathion}), a dagger (παραμήριον {paramêrion}),
a horseman’s bow and quiver, and a long lance (κοντάριον {kontarion}),
fitted with a thong towards its butt, and ornamented with a little
bannerole. The colour of bannerole, crest, and surcoat was that of
the regimental standard, and no two ‘bands’ in the same ‘turma’
had standards of the same hue. Thus the line presented an uniform
and orderly appearance, every band displaying its own regimental
facings. Strapped to his saddle each horseman carried a long cloak,
which he assumed in cold and rainy weather, or when, for purposes
of concealment, he wished to avoid displaying the glitter of his
armour[53].
The light trooper had less complete equipment, sometimes a cuirass
of mail or horn, at others only a light mail cape covering the neck
and shoulders. He carried a large shield, a defence which the heavy
horseman could not adopt, on account of his requiring both hands to
draw his bow. For arms the light cavalry carried lance and sword.
Public-domain text, read in full here on John Shaqi.
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