The Art of War in the Middle Ages A.D. 378-1515 — John Shaqi
The Art of War in the Middle Ages A.D. 378-1515Oman, Charles
History
The Art of War in the Middle Ages A.D. 378-1515
Oman, Charles
Military art and science -- History -- Medieval, 500-1500; Military history, Medieval
unhindered, and fight in due form on the west bank, or to give him the
same opportunity and grant a free passage to the Hungarian side. Bela
chose the former alternative, forded the river without molestation, and
fought on the other side the disastrous battle of Cressenbrunn.
Infantry was in the twelfth and thirteenth centuries absolutely
insignificant: foot-soldiers accompanied the army for no better purpose
than to perform the menial duties of the camp, or to assist in the
numerous sieges of the period. Occasionally they were employed as
light troops, to open the battle by their ineffective demonstrations.
There was, however, no really important part for them to play. Indeed
their lords were sometimes affronted if they presumed to delay too
long the opening of the cavalry charges, and ended the skirmishing by
riding into and over their wretched followers. At Bouvines the Count of
Boulogne could find no better use for his infantry than to form them
into a great circle, inside which he and his horsemen took shelter when
their chargers were fatigued and needed a short rest. If great bodies
of foot occasionally appeared upon the field, they came because it
was the duty of every able-bodied man to join the _arrière-ban_ when
summoned, not because the addition of 20,000 or 100,000 half-armed
peasants and burghers was calculated to increase the real strength
of the levy. The chief cause of their military worthlessness may be
said to have been the miscellaneous nature of their armament. Troops
like the Scotch Lowlanders, with their long spears, or the Saracen
auxiliaries of Frederick II, with their cross-bows, deserved and
obtained some respect on account of the uniformity of their equipment.
But with ordinary infantry the case was different; exposed, without
discipline and with a miscellaneous assortment of dissimilar weapons,
to a cavalry charge, they could not combine to withstand it, but were
ridden down and crushed. A few infantry successes which appear towards
the end of the period were altogether exceptional in character. The
infantry of the ‘Great Company,’ in the East beat the Duke of Athens,
by inducing him to charge with all his men-at-arms into a swamp. In a
similar way the victory of Courtrai was secured, not by the mallets
and iron-shod staves of the Flemings, but by the canal, into which the
headlong onset of the French cavalry thrust rank after rank of their
companions.
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