The Art of War in the Middle Ages A.D. 378-1515Oman, Charles
History
The Art of War in the Middle Ages A.D. 378-1515
Oman, Charles
Military art and science -- History -- Medieval, 500-1500; Military history, Medieval
The strength of a mediæval fortress lay in the extraordinary solidity
of its construction. Against walls fifteen to thirty feet thick, the
feeble siege-artillery of the day, perriéres, catapults, trebuchets,
and so forth, beat without perceptible effect. A Norman keep, solid
and tall, with no wood-work to be set on fire, and no openings near
the ground to be battered in, had an almost endless capacity for
passive resistance. Even a weak garrison could hold out as long as its
provisions lasted. Mining was perhaps the device which had most hope of
success against such a stronghold[66]; but if the castle was provided
with a deep moat, or was built directly on a rock, mining was of no
avail. There remained the laborious expedient of demolishing the lower
parts of the walls by approaches made under cover of a pent-house,
or ‘cat,’ as it was called. If the moat could be filled, and the cat
brought close to the foot of the fortifications, this method might
be of some use against a fortress of the simple Norman type. Before
bastions were invented, there was no means by which the missiles of
the besieged could adequately command the ground immediately below the
ramparts. If the defenders showed themselves over the walls--as would
be necessary in order to reach men perpendicularly below them--they
were at once exposed to the archers and cross-bowmen who, under cover
of mantlets, protected the working of the besieger’s pioneers. Hence
something might be done by the method of demolishing the lower parts of
the walls: but the process was always slow, laborious, and exceedingly
costly in the matter of human lives. Unless pressed for time a good
commander would almost invariably prefer to starve out a garrison.
Public-domain text, read in full here on John Shaqi.
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