The Art of War in the Middle Ages A.D. 378-1515Oman, Charles
History
The Art of War in the Middle Ages A.D. 378-1515
Oman, Charles
Military art and science -- History -- Medieval, 500-1500; Military history, Medieval
The military efficiency of the mercenary of the thirteenth century was,
however, only a development of that of the ordinary feudal cavalier.
Like the latter, he was a heavily-armed horseman; his rise did not
bring with it any radical change in the methods of war. Though he was a
more practised warrior, he still worked on the old system--or want of
system--which characterised the cavalry tactics of the time.
The final stage in the history of mercenary troops was reached when
the bands which had served through a long war instead of dispersing
at its conclusion, held together, and moved across the continent in
search of a state which might be willing to buy their services. But the
age of the ‘Great Company’ and the Italian Condottieri lies rather in
the fourteenth than the thirteenth century, and its discussion must be
deferred to another chapter.
In the whole military history of the period the most striking feature
is undoubtedly the importance of fortified places, and the ascendancy
assumed by the defensive in poliorcetics. If battles were few, sieges
were numerous and abnormally lengthy. The castle was as integral a part
of feudal organization as the mailed knight, and just as the noble
continued to heap defence after defence on to the persons of himself
and his charger, so he continued to surround his dwelling with more and
more fortifications. The simple Norman castle of the eleventh century,
with its great keep and plain rectangular enclosure, developed into
elaborate systems of concentric works, like those of Caerphilly and
Carnarvon. The walls of the town rivalled those of the citadel, and
every country bristled with forts and places of strength, large and
small. The one particular in which real military capacity is displayed
in the period is the choice of commanding sites for fortresses. A
single stronghold was often so well placed that it served as the key
to an entire district. The best claim to the possession of a general’s
eye which can be made in behalf of Richard I. rests on the fact that
he chose the position for Château Gaillard, the great castle which
sufficed to protect the whole of Eastern Normandy as long as it was
adequately held.
Public-domain text, read in full here on John Shaqi.
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