The Art of War in the Middle Ages A.D. 378-1515Oman, Charles
History
The Art of War in the Middle Ages A.D. 378-1515
Oman, Charles
Military art and science -- History -- Medieval, 500-1500; Military history, Medieval
The military importance of Adrianople was unmistakable; it was a
victory of cavalry over infantry. The imperial army had developed its
attack on the position of the Goths, and the two forces were hotly
engaged, when suddenly a great body of horsemen charged in upon the
Roman flank. It was the main strength of the Gothic cavalry, which had
been foraging at a distance; receiving news of the fight it had ridden
straight for the battlefield. Two of Valens’ squadrons, which covered
the flank of his array, threw themselves in the way of the oncoming
mass, and were ridden down and trampled under foot. Then the Goths
swept down on the infantry of the left wing, rolled it up, and drove it
in upon the centre. So tremendous was their impact that the legions and
cohorts were pushed together in helpless confusion. Every attempt to
stand firm failed, and in a few minutes left, centre, and reserve were
one undistinguishable mass. Imperial guards, light troops, lancers,
foederati and infantry of the line were wedged together in a press
that grew closer every moment. The Roman cavalry saw that the day was
lost, and rode off without another effort. Then the abandoned infantry
realised the horror of their position: equally unable to deploy or to
fly, they had to stand to be cut down. It was a sight such as had been
seen once before at Cannæ, and was to be seen once after at Rosbecque.
Men could not raise their arms to strike a blow, so closely were they
packed; spears snapped right and left, their bearers being unable to
lift them to a vertical position: many soldiers were stifled in the
press. Into this quivering mass the Goths rode, plying lance and sword
against the helpless enemy. It was not till two-thirds of the Roman
army had fallen that the thinning of the ranks enabled a few thousand
men to break out[11], and follow their right wing and cavalry in a
headlong flight.
Such was the battle of Adrianople, the first great victory gained by
that heavy cavalry which had now shown its ability to supplant the
heavy infantry of Rome as the ruling power of war. During their sojourn
in the steppes of South Russia the Goths, first of all Teutonic races,
had become a nation of horsemen. Dwelling in the Ukraine, they had felt
the influence of that land, ever the nurse of cavalry, from the day
of the Scythian to that of the Tartar and Cossack. They had come to
‘consider it more honourable to fight on horse than on foot[12],’ and
every chief was followed by his war-band of mounted men. Driven against
their will into conflict with the empire, they found themselves face to
face with the army that had so long held the world in fear. The shock
came, and, probably to his own surprise, the Goth found that his stout
lance and good steed would carry him through the serried ranks of the
legion. He had become the arbiter of war, the lineal ancestor of all
the knights of the middle ages, the inaugurator of that ascendancy of
the horseman which was to endure for a thousand years.
Public-domain text, read in full here on John Shaqi.
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