The Art of War in the Middle Ages A.D. 378-1515Oman, Charles
History
The Art of War in the Middle Ages A.D. 378-1515
Oman, Charles
Military art and science -- History -- Medieval, 500-1500; Military history, Medieval
Theodosius, on whom devolved the task of reorganizing the troops of the
Eastern empire, appears to have appreciated to its fullest extent the
military meaning of the fight of Adrianople. Abandoning the old Roman
theory of war, he decided that the cavalry must in future compose the
most important part of the imperial army. To provide himself with a
sufficient force of horsemen, he was driven to a measure destined to
sever all continuity between the military organization of the fourth
and that of the fifth century. He did not, like Constantine, raise new
corps, but began to enlist wholesale every Teutonic chief whom he could
bribe to enter his service. The war-bands which followed these princes
were not incorporated with the national troops; they obeyed their
immediate commanders alone, and were strangers to the discipline of
the Roman army. Yet to them was practically entrusted the fate of the
empire; since they formed the most efficient division of the imperial
forces. From the time of Theodosius the prince had to rely for the
maintenance of order in the Roman world merely on the amount of loyalty
which a constant stream of titles and honours could win from the
commanders of the ‘Foederati.’
Only six years after Adrianople there were already 40,000 Gothic and
other German horsemen serving under their own chiefs in the army of the
East. The native troops sunk at once to an inferior position in the
eyes of Roman generals, and the justice of their decision was verified
a few years later when Theodosius’ German mercenaries won for him the
two well-contested battles which crushed the usurper Magnus Maximus
and his son Victor. On both those occasions, the Roman infantry of the
West, those Gallic legions who had always been considered the best
footmen in the world, were finally ridden down by the Teutonic cavalry
who followed the standard of the legitimate emperor[13].
A picture of the state of the imperial army in the Western provinces,
drawn precisely at this period, has been preserved for us in the work
of Vegetius, a writer whose treatise would be of far greater value
had he refrained from the attempt to identify the organization of
his own day with that of the first century, by the use of the same
words for entirely different things. In drawing inferences from his
statements, it has also to be remembered that he frequently gives
the ideal military forms of his imagination, instead of those which
really existed in his day. For example, his legion is made to consist
of 6000 men, while we know that in the end of the fourth century its
establishment did not exceed 1500. His work is dedicated to one of the
emperors who bore the name of Valentinian, probably to the second,
as (in spite of Gibbon’s arguments in favour of Valentinian III) the
relations of the various arms to each other and the character of their
organization point to a date prior to the commencement of the fifth
century.
Public-domain text, read in full here on John Shaqi.
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