The Art of War in the Middle Ages A.D. 378-1515 — John Shaqi
The Art of War in the Middle Ages A.D. 378-1515Oman, Charles
History
The Art of War in the Middle Ages A.D. 378-1515
Oman, Charles
Military art and science -- History -- Medieval, 500-1500; Military history, Medieval
A single fact mentioned by Vegetius gives us the date at which the
continuity of the existence of the old Roman heavy infantry may be said
to terminate. As might be expected, this epoch exactly corresponds
with that of the similar change in the East, which followed the
battle of Adrianople. ‘From the foundation of the city to the reign
of the sainted Gratian,’ says the tactician, ‘the legionaries wore
helmet and cuirass. But when the practice of holding frequent reviews
and sham-fights ceased, these arms began to seem heavy, because the
soldiers seldom put them on. They therefore begged from the emperor
permission to discard first their cuirasses, and then even their
helmets, and went to face the barbarians unprotected by defensive arms.
In spite of the disasters which have since ensued, the infantry have
not yet resumed the use of them.... And now, how can the Roman soldier
expect victory, when helmless and unarmoured, and even without a shield
(for the shield cannot be used in conjunction with the bow), he goes
against the enemy[14]?’
Vegetius--often more of a rhetorician than a soldier--has evidently
misstated the reason of this change in infantry equipment. At a time
when cavalry were clothing themselves in more complete armour, it
is not likely that the infantry were discarding it from mere sloth
and feebleness. The real meaning of the change was that, in despair
of resisting horsemen any longer by the solidity of a line of heavy
infantry, the Romans had turned their attention to the use of missile
weapons,--a method of resisting cavalry even more efficacious than
that which they abandoned, as was to be shown a thousand years later
at Cressy and Agincourt. That Vegetius’ account is also considerably
exaggerated is shown by his enumeration of the legionary order of his
own day, where the first rank was composed of men retaining shield,
pilum, and cuirass (whom he pedantically calls ‘Principes’). The second
rank was composed of archers, but wore the cuirass and carried a lance
also; only the remaining half of the legion had entirely discarded
armour, and given up all weapons but the bow.
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