The Art & Practice of Typography: A Manual of American Printing, Including a Brief History up to the Twentieth Century, with Reproductions of the Work of Early Masters of the Craft, and a Practical Discussion and an Extensive Demonstration of the Modern Use of Type-faces and Methods of ArrangementGress, Edmund G. (Edmund Geiger)
History
The Art & Practice of Typography: A Manual of American Printing, Including a Brief History up to the Twentieth Century, with Reproductions of the Work of Early Masters of the Craft, and a Practical Discussion and an Extensive Demonstration of the Modern Use of Type-faces and Methods of Arrangement
Gress, Edmund G. (Edmund Geiger)
Advertising layout and typography -- United States; Graphic design (Typography) -- United States; Printing -- United States -- History
Matthews-Northrup Works, 125, 178, 179, 192
Munder-Thomson Company, 122
Nash, J. H., 134, 135, 147, 185, 279, 442, 450, 451
Neal Press, 306
Nelson, Arthur, 138, 249, 284, 286, 290, 440
Peabody, Charles Edward, 342
Radcliffe, B. Walter, 360
Rogers, Bruce, 43, 128, 129, 148, 223, 224, 449-B, 451
Roycroft Shop, 143, 456
School of Printing, Boston, 42, 75, 335
Seaver-Howland Press, 433, 434
Sherbow, Benjamin, 152, 153, 236, 238, 247, 248, 380, 412, 413, 414,
420
Smith Company, Eugene, 452
Stetson Press, 225, 228
Stillson Company, Robert L., 186
Stutes, Edward W., 206, 350
Taft, Henry D., 353
Tapley Company, J. F., 344
Taylor & Taylor, 163, 164, 194, 445, 446
Trow Press, 140
University Press, 41
Updike, D. B., 70, 145, 146, 180, 181, 190, 191, 203, 215, 222, 227,
303, 314, 315
Warde Press, 447
Winchell, Edward Everett, 161, 162, 209
PART ONE
[Illustration:
THE SCRIBE AT WORK
Representing a secretary to Philip the Good, Duke of Burgundy and
patron of learning, copying manuscript books at the Hague about the
time typography was invented
]
[Illustration]
WHEN BOOKS WERE WRITTEN
To many persons the words “Printing” and “Typography” are synonymous.
The Standard dictionary, in its leading definition of the word
“Printer,” says: “One engaged in the trade of typographical printing;
one who sets type or runs a printing press; specifically a compositor.”
But in these days there are so many kinds of printers (lithographic
printers, steel- and copper-plate printers, linotype printers, textile
printers, etc.) that to define the sort of printer who does his work
with type the use of the adjective “typographic” is necessary.
The word “typography” is derived from the Greek _typos_, or type; and
_graphe_, or writing—type-writing. Typography, then, as I shall use it,
means printing from movable, or separate, types.
The origin of typography may be open to dispute, but it is an undeniable
fact that the art of printing with separate types was practiced at
Mainz, Germany, during the years 1450–1455, and from there spread over
Europe.
Before that period books were written by hand or printed from crudely
engraved blocks of wood.
* * * * *
The thousand years preceding the invention of printing (the fifth to the
fifteenth century) are known in history as the Middle Ages, and the
first six centuries of this period (the fifth to the eleventh) are
called the Dark Ages, because during those years civilization in Europe
relapsed into semi-barbarism, and scientific, artistic and literary
pursuits were almost entirely abandoned.
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