The Art & Practice of Typography: A Manual of American Printing, Including a Brief History up to the Twentieth Century, with Reproductions of the Work of Early Masters of the Craft, and a Practical Discussion and an Extensive Demonstration of the Modern Use of Type-faces and Methods of Arrangement — John Shaqi
The Art & Practice of Typography: A Manual of American Printing, Including a Brief History up to the Twentieth Century, with Reproductions of the Work of Early Masters of the Craft, and a Practical Discussion and an Extensive Demonstration of the Modern Use of Type-faces and Methods of ArrangementGress, Edmund G. (Edmund Geiger)
History
The Art & Practice of Typography: A Manual of American Printing, Including a Brief History up to the Twentieth Century, with Reproductions of the Work of Early Masters of the Craft, and a Practical Discussion and an Extensive Demonstration of the Modern Use of Type-faces and Methods of Arrangement
Gress, Edmund G. (Edmund Geiger)
Advertising layout and typography -- United States; Graphic design (Typography) -- United States; Printing -- United States -- History
Latin had been the language of intellectual Europe up to the time of the
fall of Rome (476 A.D.) and one of the influences that led up to this
benighted period was that Southern Europe was overrun by so-called
barbarians from Germania in the north—the Angles and Saxons, who settled
in Britain; the Franks, Burgundians and Goths, who settled in Gaul (now
France) and Germany; the Vandals who settled in Spain, and the Lombards,
who settled in Italy.
In Italy, Spain and Gaul the Latin-speaking natives far outnumbered the
invaders, and the Germanic conquerors were forced to learn something of
Latin. The present languages of those countries are the result of that
attempt. The language of the Germanic Angles and Saxons was used in
Britain after their invasion of that country, but was modified by the
French-speaking Normans who conquered England in the eleventh century.
Thus Latin as a common language died.
* * * * *
Altho dead to most of the population of Europe, Latin was made the
official language of the Christian church, and, during that period of
the Middle Ages when French, Spanish, Italian and English were in a
state of evolution, it afforded a means of keeping alive in written
books the knowledge the world had gained before the dark curtain of
ignorance was rung down.
Manuscript books are so-called from the Latin words _manu scripti_,
meaning “written by hand,” and the initials of these two Latin words are
frequently used for the word manuscript, i.e., “MS.”
The materials upon which books were written have at various times been
clay, stone, wood, lead, skin, papyrus and paper.
[Illustration:
ASSYRIAN CLAY TABLET
Showing the cuneiform (arrow-shaped) writing
]
Looking back six thousand years to the beginning of recorded time we
find the Chaldeans (Babylonians and Assyrians) writing arrow-shaped
characters with a sharp tri-pointed instrument upon damp clay, which was
then made permanent by baking. In 1845 a library of baked clay tablets
was discovered among the ruins of Nineveh. Thousands of these tablets
have been collected in the British Museum, the most interesting of which
is one which had been broken in eighteen pieces, containing an account
of the Flood.
Twenty-five hundred years before the Christian era, when the great
pyramids were being built, the Egyptians wrote upon papyrus, a plant
growing on the banks of the Nile. The inner portion of the plant was
stripped, the strips laid across each other, pressed and dried. The
squares of material thus made were then joined together to form a long
strip which was rolled around a rod.
Upon papyrus is written one of the oldest “books” in the world, “The
Book of the Dead,” now in the British Museum. This is a literary work of
a semi-sacred character, and copies were placed in the tombs with
deceased Egyptians, whence its name. A reproduction of a portion of this
book is given on page three.
Public-domain text, read in full here on John Shaqi.
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