The Art & Practice of Typography: A Manual of American Printing, Including a Brief History up to the Twentieth Century, with Reproductions of the Work of Early Masters of the Craft, and a Practical Discussion and an Extensive Demonstration of the Modern Use of Type-faces and Methods of Arrangement — John Shaqi
The Art & Practice of Typography: A Manual of American Printing, Including a Brief History up to the Twentieth Century, with Reproductions of the Work of Early Masters of the Craft, and a Practical Discussion and an Extensive Demonstration of the Modern Use of Type-faces and Methods of ArrangementGress, Edmund G. (Edmund Geiger)
History
The Art & Practice of Typography: A Manual of American Printing, Including a Brief History up to the Twentieth Century, with Reproductions of the Work of Early Masters of the Craft, and a Practical Discussion and an Extensive Demonstration of the Modern Use of Type-faces and Methods of Arrangement
Gress, Edmund G. (Edmund Geiger)
Advertising layout and typography -- United States; Graphic design (Typography) -- United States; Printing -- United States -- History
There is one, however, were such a list printed, whose name would lead
all the rest, the man who, back in 1903, conceived the idea of this
book; without whose business support this elaborate and costly work
would have been impossible; whose ideals have been an inspiration; whose
confidence and encouragement generated the energy and enthusiasm that
have attended the author during the fourteen years in which this work
has been building. It is a privilege to pay this tribute to John Clyde
Oswald.
EDMUND G. GRESS.
New York, July, 1917.
SYNOPSIS OF CONTENTS
PART ONE
WHEN BOOKS WERE WRITTEN
_Page 1_
The printer and typography—Definitions and derivations of trade words—
Printing with separate types practiced between 1450–1455—Books
previously written by hand or printed from wood—The Middle and Dark
Ages—Latin in written books kept knowledge alive—Meaning of
“manuscript”—Writing materials—Arrow-shaped writing of the Chaldeans—
Papyrus rolls of the Egyptians—Ink, paper and block-printing supposedly
invented by the Chinese—Dressed skins and palm leaves used by Hindoos—
The Hebrews wrote upon stones and animal skins—We owe the present Roman
alphabet to the Phœnicians—The word “alphabet” derived from the first
two letters of the Greek alphabet, Alpha and Beta—The bards of Greece—
Manuscripts written by slaves—Papyrus imported from Egypt—Development of
parchment, and what it is—The great Alexandrian library—Length of rolls—
Story of “Septuagint”—Destruction of the Alexandrian library—Rome
supersedes Alexandria as an intellectual center—Cæsar credited as the
founder of the first newspaper—“Short-hand” writing—The period of
Emperor Augustus a memorable one in literature—Producing large editions
of manuscript rolls—Books were plentiful and cheap—Elaborate parchment
rolls—Origin of flat-sheet books—Hinged waxed tablets—Destruction of the
library at Constantinople—Drift of literature toward the East—
Transcribing and decorating holy writings in the monasteries of Europe—
Monopoly of learning gave power to Church of Rome—Since the seventh
century monastery manuscripts in Latin, the official language of that
church—Translation of Bible into “Vulgar tongue” forbidden—William
Tyndale’s English translation—Martin Luther’s German translation—Making
of manuscript books in the Middle Ages—St. Benedict sets the monks to
work copying manuscripts—Popularity of cloisters—The scriptorium and the
rules governing scribe or copyist—Tools and materials—Rubrics—
Illuminating—The copyist at work—A beautiful Irish book—Illuminators’
colors and binding of manuscript books—Missal, Psalter, Book of Hours—
Donatus, books associated with the Middle Ages—First types were
imitations of current Gothic lettering—Types cut in style of Roman
Public-domain text, read in full here on John Shaqi.
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