The Arts and Crafts of Older Spain, Volume 1 (of 3)Williams, Leonard
History
The Arts and Crafts of Older Spain, Volume 1 (of 3)
Williams, Leonard
Decorative arts -- Spain -- History
Firstly, the Ordinances complain that the goldsmiths of Granada now
employ a base and detrimental standard of the precious metals,
especially in the bracelets or _manillas_ of the women. The goldsmiths
answer in their vindication that equally as poor a standard is employed
at Seville, Cordova, and Toledo. These city laws herewith establish
twenty carats as a minimum fineness for the gold employed in making
ornaments. The makers, also, are ordered to impress their private stamp
or seal on every article, or in default to pay a fine of ten thousand
_maravedis_. A copy of each stamp or seal to be deposited in the city
chest. The _alamín_ or inspector of this trade to test and weigh all
gold and silver work before it is exposed for sale.
We learn from the same source that the gold bracelets were sometimes
smooth, and sometimes "covered over with devices" (_cubiertos de
estampas por cima_). The technical name of these was _albordados_. The
silver bracelets were also either smooth, or stamped, or twisted in a
cord (_encordados_). Bangles for the ankle, upper arm, and wrist are
mentioned as continuing to be generally worn, while one of the
Ordinances complains that "Moorish _axorcas_ are often sold that are
hollow, and filled with chalk and mastic, so that before they can be
weighed it is necessary to rid them of such substances by submitting
them to fire, albeit the fire turns them black."
The weapons and war-harness of the Spanish Moors were often exquisitely
decorated with the precious stones or metals. Splendid objects of this
kind have been preserved, and will be noticed in their proper chapter.
Public-domain text, read in full here on John Shaqi.
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