The Arts and Crafts of Older Spain, Volume 2 (of 3)Williams, Leonard
History
The Arts and Crafts of Older Spain, Volume 2 (of 3)
Williams, Leonard
Decorative arts -- Spain -- History
Nevertheless, a pulpit in the mosque, and a seat of some kind in the
palace or the private house, were not to be dispensed with. We learn
from Ibn-Khaldoun and many other writers, that the throne of the
Mussulman sultans was the _mimbar_, _takcht_, or _cursi_. Each of these
objects was a wooden seat. The first of the sultans to use a throne was
Moawia, son of Abu-Sofyan. The princes who came after him continued the
same usage, but displayed a constantly increasing splendour in the
decoration of the throne. This custom spread, in course of time, from
east to west throughout almost the whole dominion of the Muslims. The
Beni-Nasr princes of Granada are also known to have used a throne, but
this is believed to have consisted simply of some cushions piled one
upon another. This inference is drawn by Eguilaz Yanguas and other
Arabists from the old _Vocabulary_ of Fray Pedro de Alcalá, who renders
a "throne" or "royal seat" by _martaba_, a word equivalent to "cushion."
[Illustration: VI
CHAIR AND TABLE
(_17th Century. Salamanca Cathedral_)]
Cushions, too, became symbolic, even with the Christian Spaniards, of a
seat of honour; both because they lent themselves to rich embroidery or
leather-work, and because they raised their occupant above the level of
the persons seated positively on the carpet or the floor. In the
painting on the ceiling of the Hall of Justice in the Alhambra, ten men
are congregated in Mohammedan costume, each of them seated on a
cushion. Some writers, including Argote de Molina, Diego Hurtado de
Mendoza, and Hernando del Pulgar, believed these figures to be actual
portraits of the sultans; others maintain that they depict the _Mizouar_
or royal council. In either case, however, the cushion here is clearly
an honourable place. We have, besides, abundant evidence that the
Spanish Christians viewed the cushion with as marked a liking as their
rivals. Alvarez de Colmenar relates that at the very close of the
seventeenth century the Spanish women sat at meals in Moorish fashion.
"Un père de famille est assis seul à table, et toutes les femmes, sans
exception, mangent par terre, assises sur un carreau avec leurs enfants,
et leur table dressée sur un tapis étendu." The same work says elsewhere
that "lorsque les dames se rendent visite, elles ne se donnent ni siège
ni fauteuil, mais elles sont toutes assises par terre, les jambes en
croix, sur des tapis ou des carreaux."[17]
[17] _Annales d'Espagne et de Portugal_, vol. iii., pp. 324, 327.
Public-domain text, read in full here on John Shaqi.
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