The Arts and Crafts of Older Spain, Volume 3 (of 3)Williams, Leonard
History
The Arts and Crafts of Older Spain, Volume 3 (of 3)
Williams, Leonard
Decorative arts -- Spain -- History
Further efforts to improve the quality of Spanish silk were made by
Charles the Third, in whose reign the silk looms of Seville increased to
four hundred and sixty-two for weaving larger pieces, sixty-two for
silver and gold galloons, three hundred and fifty-four for finely-worked
ribbons, twenty-three for small pieces of gold and silver stuffs, eight
for fringes and _cintas de rizo_, sixty-three for stockings, sixty-five
for _redecillas_, three for caps, and one thousand three hundred and
ninety-one for ordinary ribbon. At the same time, according to Ulloa,
one hundred thousand pounds of silk required to be annually brought to
Seville to supply these factories.
"In its fortunate days," wrote Alexander de Laborde, "Seville had many
splendid manufactures; it wove silks of every kind, gold and silver
tissues, linens, and cottons.[14] A memoir presented in 1601 by the
seventeen companies of arts and trades of this city gives us an idea of
the brilliant state of those manufactures: the amount of the silk looms
is there stated to be 16,000, and the persons of both sexes employed at
them, 130,000. These manufactures had greatly declined even in the last
century. We learn from Francisco Martínez de la Mata, in his
_Discursos_, published in 1659, according to a memoir presented to the
king by an _alcalde_ of the silk manufactures of Seville, that there
were no more, at that time, than sixty-five looms, that a great number
of persons having no work had quitted the town, that the population had
decreased a third, and that many houses were shut up, uninhabited, and
going to ruin. The silk manufactures began to look up again in the
eighteenth century, but they are very far below the brilliant state they
formerly displayed: in 1779 there were 2318 silk looms in Seville,
including those for stockings, slight stuffs, and ribbons."[15]
[14] In former times, linens and cottons painted, stencilled, or stamped
with decorative patterns from an iron or boxwood matrix, were
considered to be luxurious fabrics, and are denounced as such in
the sumptuary pragmatic (quoted by Miquel y Badía) issued by Jayme
the Conqueror in A.D. 1234: "Item statuimos quod nos nec aliquis
subditus noster non portet vestes _incisas_, _listatas_, vel
trepatas."
Public-domain text, read in full here on John Shaqi.
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