The Arts in the Middle Ages and at the Period of the RenaissanceJacob, P. L.
History
The Arts in the Middle Ages and at the Period of the Renaissance
Jacob, P. L.
Art, Medieval; Art, Renaissance; Middle Ages
Shortly afterwards Pacificus, Archbishop of Verona, constructed one far
superior to all that had preceded it; for, besides giving the hours, it
indicated the date of the month, the days of the week, the phases of the
moon, &c. But still it was only an improved water-clock. Before horology
could really assume an historical date, it was necessary that for motive
power weights should be substituted for water, and that the escapement
should be invented; yet it was only in the beginning of the tenth
century that these important discoveries were made.
“In the reign of Hugh Capet,” says M. Dubois, “there lived in France a
man of great talent and reputation named Gerbert. He was born in the
mountains of Auvergne, and had passed his childhood in tending flocks
near Aurillac. One day some monks of the order of St. Benedict met him
in the fields: they conversed with him, and finding him precociously
intelligent, took him into their convent of St. Gérauld. There Gerbert
soon acquired a taste for monastic life. Eager for knowledge, and
devoting all his spare moments to study, he became the most learned of
the community. After he had taken vows, a desire to add to his
scientific attainments led him to set out for Spain. During several
years he assiduously frequented the universities of the Iberian
peninsula. He soon found himself too learned for Spain; for, in spite of
his truly sincere piety, ignorant fanatics accused him of sorcery. As
that accusation might have involved him in deplorable consequences, he
preferred not to await the result; and hastily quitting the town of
Salamanca, which was his ordinary residence, he came to Paris, where he
very soon made himself powerful friends and protectors. At length, after
having successively been monk, superior of the convent of Bobbio, in
Italy, Archbishop of Rheims, tutor to Robert I., King of France, and to
Otho III., Emperor of Germany, who appointed him to the see of Ravenna,
Gerbert rose to the pontifical throne under the name of Sylvester II.:
he died in 1003. This great man did honour to his country and to his
age. He was acquainted with nearly all the dead and living languages; he
was a mechanician, astronomer, physician, geometrician, algebraist, &c.
He introduced the Arab numerals into France. In the seclusion of his
monastic cell, as in his archiepiscopal palace, his favourite relaxation
was the study of mechanics. He was skilled in making sun-dials,
water-clocks, hour-glasses, and hydraulic organs. It was he who first
applied weight as a motive power to horology; and, in all probability,
he is the inventor of that admirable mechanism called escapement--the
most beautiful, as well as the most essential, of all the inventions
which have been made in horology.”
Public-domain text, read in full here on John Shaqi.
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