The Arts in the Middle Ages and at the Period of the RenaissanceJacob, P. L.
History
The Arts in the Middle Ages and at the Period of the Renaissance
Jacob, P. L.
Art, Medieval; Art, Renaissance; Middle Ages
This is not the place to give a description of these two mechanisms,
which can hardly be explained except with the assistance of purely
technical drawings, but it may be remarked that weights are still the
sole motive power of large clocks, and the escapement alluded to has
been alone employed throughout the world until the end of the
seventeenth century. Notwithstanding the importance of these two
inventions, little use was made of them during the eleventh, twelfth,
and thirteenth centuries. The water-clock and hour-glass (Fig. 144)
continued exclusively in use. Some were ornamented and engraved with
much taste; and they contributed to the decoration of apartments, as at
present do our bronzes and clocks more or less costly.
[Illustration: Fig. 144.--An Hour-glass of the Sixteenth
Century,--French Work.]
History does not inform us who was the inventor of the striking
machinery; but it is at least averred that it existed at the
commencement of the twelfth century. The first mention of it is found in
the “Usages de l’Ordre de Cîteaux,” compiled about 1120. It is there
prescribed to the sacristan so to regulate the clock, that it “sounds
and awakens him before matins;” in another chapter the monk is ordered
to prolong the lecture until “the clock strikes.” At first, in the
monasteries, the monks took it in turn to watch, and warn the community
of the hours for prayer; and, in the towns, there were night watchmen,
who, moreover, were maintained in many places to announce in the streets
the hour denoted by the clocks, the water-clocks, or the hour-glasses.
The machinery for striking once invented, we do not find that horology
had attained to any perfection before the end of the thirteenth century;
but, in the commencement of the following it received its impulse, and
the art from that time continued to progress.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account