The Arts in the Middle Ages and at the Period of the RenaissanceJacob, P. L.
History
The Arts in the Middle Ages and at the Period of the Renaissance
Jacob, P. L.
Art, Medieval; Art, Renaissance; Middle Ages
Although the use of playing-cards continued to extend more and more, we
must not imagine that they had ceased to be the subject of prohibitory
and condemnatory ordinances on the part of the civil and ecclesiastical
authorities. On the contrary, a long list might be made of the decrees
launched against cards themselves and those that used them. Princes and
lords, as a matter of right, felt themselves above these prohibitions;
the lower orders and the dissolute did not fail to infringe them. It was
nevertheless the case, that in the face of these constantly-renewed
prohibitions, the manufacture of playing-cards could only be developed,
or rather perhaps be carried on, in some indirect mode. Thus, we find
the business at first was concealed, as it were, under that of a
stationer or illuminator. Not until December, 1581--that is, in the
reign of Henry III.--do we find the first regulation fixing the
statutes of the “master-cardmakers.” These statutes, confirmed by
letters patent in 1584 and 1613, remained in force down to the (French)
Revolution. In the confirmation of corporate privileges granted at the
latter date, it is laid down as a rule that henceforth master-cardmakers
should be bound to place their names, surnames, signs, and devices on
the “knave of clubs” (Figs. 212, 213) of every pack of cards. This
prescription appears to have done nothing more than legalise an old
custom--a fact which may be proved by an examination of the curious
collection of ancient cards in the Print-Room of the Bibliothèque
Impériale. We have already stated that for a period of many years the
names given to the various personages in the pack varied constantly,
according to the fancy of the cardmaker; a mere glance at the collection
just mentioned will confirm this assertion.
[Illustration: Figs. 212 and 213.--The “Knave of Clubs” in the Packs of
Cards of R. Passerel and R. Le Cornu. (Sixteenth Century. Bibl. Imp.,
Paris.)]
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