The Arts in the Middle Ages and at the Period of the RenaissanceJacob, P. L.
History
The Arts in the Middle Ages and at the Period of the Renaissance
Jacob, P. L.
Art, Medieval; Art, Renaissance; Middle Ages
“FRANCIS I. AND ELEANOR HIS WIFE AT PRAYERS.”
PART OF A WINDOW IN THE CHURCH OF ST. GUDULE IN BRUSSELS. FROM
“L’HISTOIRE DE LA PEINTURE SUR VERRE EN EUROPE.”
This magnificent window was given to the Church of St. Gudule by
Francis I. and Eleanor of Spain, his wife, sister of Charles V.,
and widow by her first marriage of Emmanuel the Great, King of
Portugal.
The donors are represented kneeling, each one protected by his or
her patron saint; the king is attended by St. Francis of Assisi,
who is receiving in a vision the impress of the stigmata of Jesus
on the Cross; the queen is accompanied by St. Eleanor, who holds in
her hand the palm of the elect. This window is from a design by
Bernard van Orley.
Francis I. and Eleanor expended on the window two hundred and
twenty-two crowns, or four hundred florins, an important sum in
those days (1515-47).
[Illustration: FRANCIS I. AND ELEONORA AT THEIR DEVOTIONS.
Portion of a Stained Glass Window in the Church of St. Gudule at
Brussels.]
Walter, dared to launch his satire against doctrine itself, and to
ridicule transubstantiation by representing a pope shovelling four
evangelists into a mill, from which come forth a number of wafers; these
a bishop is receiving into a cup in order to distribute them to the
wondering people. Any edification of the masses by the powerful effect
of transparent images placed, so to speak, between the earth and heaven,
soon ceased to be possible, and glass-painting, henceforth alienated
from the special aim of its origin, was destined also to disappear.”
[Illustration: Fig. 238.--Temptation of St. Mars, a Hermit of Auvergne,
by the Devil disguised as a Woman. Fragment of a Window of the
Sainte-Chapelle of Riom. Fifteenth Century. (From “Histoire de la
Peinture sur Verre,” by M. F. de Lasteyrie.)]
FRESCO-PAINTING.
The Nature of Fresco.--Employed by the Ancients.--Paintings at
Pompeii.--Greek and Roman Schools.--Mural Paintings destroyed by
the Iconoclasts and Barbarians.--Revival of Fresco, in the Ninth
Century, in Italy.--Fresco-Painters since Guido of
Siena.--Principal Works of these Painters.--Successors of Raphael
and Michael Angelo.--Fresco in _Sgraffito_.--Mural Paintings in
France from the Twelfth Century.--Gothic Frescoes of Spain.--Mural
Paintings in the Low Countries, Germany, and Switzerland.
Public-domain text, read in full here on John Shaqi.
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