The Arts in the Middle Ages and at the Period of the RenaissanceJacob, P. L.
History
The Arts in the Middle Ages and at the Period of the Renaissance
Jacob, P. L.
Art, Medieval; Art, Renaissance; Middle Ages
represents a dwelling-room of a rich nobleman in the fourteenth century.
What we now designate as a bedroom, and which was then called simply
_cambre_ or _chambre_, contained, besides the bed--which was very
large--a variety of other furniture in use for the ordinary requirements
of daily life; for the time that was not given to business, to out-door
amusements, to state receptions, and to meals, was passed, both by
nobles and citizens, in this room. In the fourteenth century
requirements for comfort had developed themselves in a remarkable degree
in France. To be convinced of this, we have only to glance at the
inventories, to read the romances and narratives of the day, and to
study with some little care the mansions and houses erected in the reign
of Charles V. A huge chimney admitted many persons to the fireside. Near
the hearth was placed the _chaire_ (seat of honour) of the master or of
the mistress. The bed, which usually stood in a corner, surrounded by
thick curtains, was effectually screened, and formed what was then
called a _clotet_; that is, a sort of small room enclosed by tapestry.
Near the windows were _bancals_, or benches with backs covered with
drapery, on which persons could sit and talk, read, or work, while
enjoying the view. A dresser was ranged along one side of the room, and
on its shelves were placed pieces of valuable plate, dishes for comfits,
and flower-vases. Small stools, arm-chairs, and, especially, numerous
cushions were placed here and there in the room. Flemish carpets, and
those which were called _sarrasinois_, covered the floor; this was
composed of enamelled tiles; or, in the northern provinces, of thick
squares of polished oak. These large, lofty, wainscoted rooms always
communicated with private staircases, through dressing-rooms and
wardrobes in which were located the domestics in immediate attendance.
Let us now pass from domestic furniture to that used for ecclesiastical
purposes. We now leave the palaces of kings, the mansions of nobles, and
the dwellings of the rich, and enter the buildings consecrated to
worship.
Public-domain text, read in full here on John Shaqi.
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