The Arts in the Middle Ages and at the Period of the RenaissanceJacob, P. L.
History
The Arts in the Middle Ages and at the Period of the Renaissance
Jacob, P. L.
Art, Medieval; Art, Renaissance; Middle Ages
The horses of French knights were without ears or mane; those of the
Germans without tails. According to Carrion-Nisas, the armour of the
horse, and the style in which it was caparisoned, were the cause of
these mutilations. We have elsewhere remarked that if the men were cased
in steel their horses were not less heavily cuirassed (Fig. 77). The
entire armour and appointments of a horse were called the harness; the
plates of steel or leather (for leather also was often used) were called
_bardes_. We find enumerated, not only the articles of which the harness
consisted--_chanfrein_, _nasal_, _flancois_, &c.--but examples are cited
to denote the sumptuousness of this equipment of the horse. We need not,
however, dwell longer here on this subject, that refers more properly to
the manufacture of arms; but a few words must be said regarding the
saddle, which is, if we may use the expression, an implement of
horsemanship, and not a part of the armour.
The use of saddles seems to have been unknown in early times, and never
to have been introduced among certain nations which, by the way, were
most famous in the art of training the horse and making him serviceable.
The Thessalonians and the Numidians rode on the bare back, without
saddle or stirrups; seated firmly on the horse simply by the pressure of
the knees and the calf of the legs; a position which is still that of
the boldest riders in the East and in Africa. Hippocrates has ascribed
the common and severe diseases of the hips and legs which afflicted the
Scythians to the rider’s want of support on horseback. Galen makes the
same remark regarding the Roman legions, who only introduced the use of
a saddle about the year 340 of the Christian era. The Gauls and Franks
used neither saddles nor stirrups; but when steel armour was adopted, it
would have been impossible for knights to preserve an equilibrium
without the aid of a saddle, or to sustain the slightest shock to which
they were exposed, as armour rendered them in a manner rigid, or with
little flexibility on their large horses.
They therefore had recourse to a high, or rather a deep, saddle, closely
adhering to the thighs and loins, with large stirrups serving as
supports to the feet. The several parts of the armour being splendidly
ornamented, it followed that the saddles, which also were exposed to
view, were no more neglected than other ornaments of the animal.
Engraved and chased, they were also gilt and painted, and thus, with the
shield, helped to distinguish, by the “devices” they bore, the armed
warrior completely cased in his steel covering (Figs. 78 to 81).
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