The Arts in the Middle Ages and at the Period of the RenaissanceJacob, P. L.
History
The Arts in the Middle Ages and at the Period of the Renaissance
Jacob, P. L.
Art, Medieval; Art, Renaissance; Middle Ages
As to stirrups, of which there certainly is no trace among the Greeks or
the Romans, it may be said they were coeval with the invention of
saddles. They made their appearance in the earliest days of the
Merovingian dynasty; and if we accept the German etymology which the
learned have offered (_streben_, to support one’s self), the name and
the object was introduced by the Franks into Gaul. However that may be,
they were no longer dispensed with, especially in war, and when the
weight of armour rendered their use necessary. They were of course very
large, very massive, and very clumsy in the days of chivalry. When they
diminished in size and weight they were wrought with more care, and
became objects of art, charged with ingenious ornaments, and embellished
with engraving, chasing, and gilding.
[Illustration: Figs. 78 and 79.--Tournament Saddles, ornamented with
Paintings, taken from the Armoury Real, Madrid. Sixteenth Century.
(Communicated by M. Ach. Jubinal.)]
In accordance with the opinion held by M. de la Varenne, we have already
ascribed the disuse of private carriages to the contempt with which the
Franks regarded a mode of conveyance deemed by them to be effeminate.
But, following the same author, we must observe that a reason might
also be discovered in the wretched condition into which, after the
decline of the Romans, those magnificent roads formed by them in all
their conquered provinces had fallen. In towns, moreover, the streets,
narrow, crooked, and with no regular direction, were very frequently so
many holes and quagmires. Philip Augustus I. had some of the streets of
Paris paved in that _lutèce_[13] which already, at the time of the Roman
conquest, had deserved the significant epithet of _miry_. The princes
and the nobles who, as Molière humorously makes Mascarilla say, feared
“to leave the impression of their shoes in mud,” and could not without
difficulty drive about the towns in carriages, consequently had recourse
to the horse or the mule. The ladies made use of them also; but very
frequently, if not carried in litters, they rode on a pillion behind the
horseman.
[Illustration: Fig. 80.--The Caparison of the Horse of Isabel the
Catholic. (Communicated by M. Ach. Jubinal.)]
In the thirteenth century chariots reappeared; but the fashion did not
long prevail, for Philip the Fair discouraged them, in one of the
clauses of his sumptuary ordinance of 1294, by declaring that “no
citizen may have a chariot.”
Public-domain text, read in full here on John Shaqi.
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