The Arts in the Middle Ages and at the Period of the RenaissanceJacob, P. L.
History
The Arts in the Middle Ages and at the Period of the Renaissance
Jacob, P. L.
Art, Medieval; Art, Renaissance; Middle Ages
The litter continued to be held in repute for processions; but queens
frequently rode on horseback. Isabel of Bavaria rode on a beautiful
palfrey, with her ladies and her maids also on horseback, on the
occasion of her entering Paris to espouse Charles VI. And when Mary of
England, who went to be married to Louis XII., made her entry into
Abbeville, she also, as Robert de la Marck relates, was mounted on a
palfrey, as were most of her ladies, “and the remainder in chariots; and
the king, riding a large, prancing bay horse, came to receive his bride,
with all the gentlemen of his household and of his guard on horseback.”
The meeting of Henry VIII. and Francis I. in the camp of the Field of
the Cloth of Gold, presented the most beautiful display that had ever
been seen of caparisoned horses, decorated and furnished with
unprecedented richness (Fig. 82).
[Illustration: Fig. 81.--Saddle-cloth. Sixteenth Century.]
Charles V., in consequence of frequent attacks of gout, was soon
compelled to renounce riding. When he went into the country, or on a
journey, he was generally followed by a litter and a chair. Mules bore
the litter, in which he could recline, while bearers carried the chair,
which was
[Illustration: ENTRANCE OF THE QUEEN ISABEAU OF BAVARIA INTO PARIS.
From a Miniature in Froissart’s Chronicles, National Library, Paris.]
provided with a movable back; its four uprights could be fitted with a
sort of canopy of canvas or leather.
In 1457 the ambassadors of Ladislaus V., King of Hungary, presented to
Marie of Anjou, Queen of France, a chariot which excited the admiration
of the whole court and the inhabitants of Paris, “because,” as the
historian of the times says, “it was _branlant_ (suspended), and very
rich.”
[Illustration: Fig. 82.--Henry VIII. in the Camp of the Field of the
Cloth of Gold (1520). From the Bas-reliefs of the Hôtel of the Bourg
Herolde at Rouen.]
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account