The Arts in the Middle Ages and at the Period of the RenaissanceJacob, P. L.
History
The Arts in the Middle Ages and at the Period of the Renaissance
Jacob, P. L.
Art, Medieval; Art, Renaissance; Middle Ages
It is difficult to reconcile the inference to be drawn from the
ordinance of Philip the Fair with the assertion of many historians, that
coaches first appeared in France only in the time of Francis I. The
point is still doubtful. Nevertheless, one may suppose historians to
mean that coaches, instead of being the only vehicles employed in Paris
in the time of Francis I., were but chariots of a grander and more
gorgeous description than any seen before that time. But we know for
certain that, during the Middle Ages, the horse and the mule were
generally ridden by everybody, by citizens and by nobles, by women and
by men. The horse-blocks fixed in the streets--too narrow evidently, if
not for one carriage, at least for two to pass each other--and the rings
fastened on doors sufficiently denote that it was so. The mule was
especially ridden by sedate men, such as magistrates and doctors, who
had to “amble” through the towns. “To take care of the mule,” a
proverbial expression signifying to wait impatiently, is derived from
the custom of lawyers’ servants remaining in the court of the Palace to
take charge of the riding-horses or mules belonging to their masters.
According to Sauval, the two first coaches seen in Paris, and which
called forth the wonder of the people, belonged, one to Queen Claude,
the first wife of Francis I.; and the other to Diana of Poitiers, his
mistress.
[Illustration: Fig. 83.--Sedan-chair of Charles V. (Armoury Real,
Madrid.)]
The fashion was soon followed; so much so, that even where the sumptuary
laws were still regarded as efficient, we find parliament entreating
Charles IX. to prohibit the circulation of coaches (_coches_) through
the town. The magistrates continued, until the commencement of the
seventeenth century, to attend at the courts of justice on their mules.
Christopher of Thou, father of the celebrated historian, and first
President of Parliament, was the first who came thither in his carriage;
but only because he suffered from gout, for his wife continued to ride
on horseback, seated pillion-fashion behind a servant.
Henry IV. had only one carriage. “I shall be unable to go and see you,”
he one day wrote to Sully, “for my wife uses my coach (_coche_).” These
coaches were neither elegant nor convenient. For doors they were
provided with leathern aprons, which were drawn or opened for entrance
or exit, with similar curtains to protect against the rain or the sun.
Marshal Bassompierre, in the time of Louis XIII., had a glass coach made
for him, which was regarded as a real marvel: it originated the impulse
which has led to the productive era of modern coach-building.
Public-domain text, read in full here on John Shaqi.
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