The Assault: Germany Before the Outbreak and England in War-TimeWile, Frederic William
History
The Assault: Germany Before the Outbreak and England in War-Time
Wile, Frederic William
World War, 1914-1918
allowing himself to be bowled over now by an amateur sailor from London,
who, if he came to Kiel, would only come armed with a fresh bait
designed to rob the Fatherland of its "future upon the water."
Until a bare two weeks before the date of the arrival of the British
Squadron in German waters, nothing was publicly known either in London
or Berlin of the projected trip of Mr. Churchill to Kiel. Von Tirpitz
thereupon had resort to the weapon he wields almost as dexterously as
the submarine--publicity--to depopularize the scheme of the misguided
friends of Anglo-German peace. It was not the first time, of course,
that the Grand-Admiral had deliberately crossed the avowed policy of the
German Foreign Office. Von Tirpitz now caused the Churchill-Kiel
enterprise to be "exposed" in the press, in the confident hope that
premature announcement would effectually kill the entire plan. It did.
Tirpitz diplomacy scored again, as it was wont to do. Whereof I speak
in this highly pertinent connection I know, on the authority of one of
von Tirpitz’s most subtle and trusted henchmen. To the latter’s eyes, I
hope, these reminiscences may some day come. He, at least, will know
that history, not fiction, is recited here.
CHAPTER II
THE FIRST ACT
"I am simply in my element here!" exclaimed the Kaiser ecstatically to
Vice-Admiral Sir George Warrender, as the twain stood surveying the
glittering array of steel-blue German and British men-of-war facing one
another amicably on the unruffled bosom of Kiel harbor at high noon of
June 25. From my perch of vantage abaft the forward
thirteen-and-one-half-inch guns of His Britannic Majesty’s
superdreadnought battleship _King George V_, whither the quartette of
London correspondents had been banished during William II’s sojourn in
the flagship, I could "see" him talking on the quarter-deck below,
speaking with those nervous, jerky right-arm gestures which are as
important a part of his staccato conversation as uttered words.
Public-domain text, read in full here on John Shaqi.
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