The Atlantic Monthly, Volume 02, No. 09, July, 1858: A Magazine of Literature, Art, and PoliticsVarious
History
The Atlantic Monthly, Volume 02, No. 09, July, 1858: A Magazine of Literature, Art, and Politics
Various
American periodicals
We end here our examinations of the testimony of the catacombs regarding
the doctrine, the faith, and the lives of the Christians of Rome in the
first three centuries. The evidence is harmonious and complete. It leaves
no room for skepticism or doubt. There are no contradictions in it. From
every point of view, theologic, historic, artistic, the results coincide
and afford mutual support. The construction of the catacombs, the works of
painting found within them, the inscriptions on the graves, all unite in
bearing witness to the simplicity of the faith, the purity of the
doctrine, the strength of the feeling, the change in the lives of the vast
mass of the members of the early church of Christ. A light had come into
the world, and the dark passages of the underground cemeteries were
illuminated by it, and manifest its brightness. Wherever it reached, the
world was humanized and purified. To the merely outward eye it might at
first have seemed faint and dim, but "the kingdom of God cometh not with
observation."
THREE OF US.
Such a spring day as it was!--the sky all one mild blue, hazy on the
hills, warm with sunshine overhead; a soft south-wind, expressive, and
full of new impulses, blowing up from the sea, and spreading the news of
life all over our brown pastures and leaf-strewn woods. The crocuses in
Friend Allis's garden-bed shot up cups of gold and sapphire from the dark
mould; slight long buds nestled under the yellow-green leafage of the
violet-patch; white and sturdy points bristled on the corner that in May
was thick with lilies-of-the-valley, crisp, cool, and fragrant; and in a
knotty old apricot-tree two bluebirds and a robin did heralds' duty,
singing of summer's procession to come; and we made ready to receive it
both in our hearts and garments.
Josephine Boyle, Letty Allis, and I, Sarah Anderson, three cousins as we
were, sat at the long window of Friend Allis's parlor, pretending to sew,
really talking. Mr. Stepel, a German artist, had just left us; and a
little trait of Miss Josephine's, that had occurred during his call,
brought out this observation from Cousin Letty:--
"Jo, how could thee let down thy hair so before that man?"
Jo laughed. "Thee is a little innocent, Letty, with your pretty dialect!
Why did I let my hair down? For Mr. Stepel to see it, of course."
"That is very evident," interposed I; "but Letty is not so innocent or so
wise as to have done wondering at your caprices, Jo; expound, if you
please, for her edification."
"I do not pretend to be wise or simple, Sarah; but I didn't think Cousin
Josephine had so much vanity."
"You certainly shall have a preacher-bonnet, Letty. How do you know it was
vanity, my dear? I saw you show Mr. Stepel your embroidery with the
serenest satisfaction; now you made your crewel cherries, and I didn't
make my hair; which was vain?"
Letty was astounded. "Thee has a gift of speech, certainly, Jo."
Public-domain text, read in full here on John Shaqi.
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