The Atlantic Monthly, Volume 13, No. 75, January, 1864: A Magazine of Literature, Art, and PoliticsVarious
History
The Atlantic Monthly, Volume 13, No. 75, January, 1864: A Magazine of Literature, Art, and Politics
Various
American periodicals
reaches his hand for the heedless Vivia's, and hurriedly she sees
terrifying grooves spreading round them, a great web-work of
cracks,--the awful ice lifts itself, sinks, and out of a monstrous
fissure chill death rises to meet them and ingulf them. In an instant,
Ray, who might have escaped, has hurled himself upon them, and then, as
they all struggle for one drowning breath in the flood, Vivia dimly
divines through her horror an arm stretched first towards Ray, snatched
back again, and bearing her to safety. Ray has already scrambled from
the shallow breach where his brother alone found bottom; waiting hands
assist Beltran; but as she lingers that moment shivering on the brink,
blindly remembering the double movement of that arm beneath the ice, she
silently asks, with a thrill, if he suffered Ray to save himself because
he was a boy, and could, or because--because she was Vivia!
Southern noontide, winter twilight lost themselves again, as Vivia
gazed, in the soft starry gleam of an April midnight. A quiet room,
dimly lighted by a flame that dying eyes no longer see; two figures
kneeling, one at either side of the mother,--the little apple-blossom of
a mother brought up to die among her own people,--one shaking with his
storm of sobs, the other supporting the dear, weary head on his strong
breast, and stifling his very heart-beat lest it stir the frail life too
roughly. And the mother lifts the lids of her faint eyes, as when a
parting vapor reveals rifts of serene heaven, gazes for a moment into
the depths of her first-born's tenderness, gropes darkly for his fingers
and for the hot little hand thrust eagerly forth to meet hers, closes
one about the other, and folds them both upon her own heart. Then
Beltran bends and gathers from the lips the life that kindled his. With
a despairing cry, Ray flings himself forward, and dead and living lie in
Beltran's arms, while the strong convulsion of his heart rends up a
hollow groan from its emptiness. And Vivia draws aside the curtain, and
the gentle wind brings in the sweet earthy scent of fresh furrows lately
wet with showers, and the ever-shifting procession of the silent stars
unveil themselves of gauzy cloud, and glance sadly down with their
abiding eyes upon these fleeting shadows.
Public-domain text, read in full here on John Shaqi.
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