The Atlantic Monthly, Volume 13, No. 75, January, 1864: A Magazine of Literature, Art, and PoliticsVarious
History
The Atlantic Monthly, Volume 13, No. 75, January, 1864: A Magazine of Literature, Art, and Politics
Various
American periodicals
After all, who can deny that there is magic in a mirror, a weird
atmosphere imprisoned, between the metal and the glass, borrowing the
occult powers of the gulf of space, and returning to us our own wraith
and apparition at any hour of the day or night when we smite it with a
ray of light,--reaching with its searching power into the dark places
where we have hidden ourselves, and seizing and projecting them in open
sight? Who doubts that this sheeny panel on so many walls, with wary art
slurring off its elusive gleam, could, at the one compelling word, paint
again the reflections of all on which it silently dreams in its reticent
heart,--the joy, the grief, the weeping face, the laughing lip, the
lover's kiss, the tyrant's sneer, almost the crouched and bleeding soul
on which that sneer descended, of which some wandering beam carried
record? When we remember the violin, inwardly ridged with the vibrations
of old tunes, old discords, who would wonder to find some charactery of
light tracing its indelible script within the crystal substance? And
here, if Vivia saw one other scene blaze out before her and vanish, why
not believe, for fancy's sake, that it was as real a picture as the
image of the dark and beautiful girl herself bending there with the
carmine stain upon her cheek, the glowing, parted lips, the shining
eyes, the shadowy hair?
Late spring down on the Maryland farm: you know it by the intense blue
through that quaint window draped with such a lushness of vines, such a
glory of blossom. In at the open door, whose frame is arabesqued with
hanging sprays of sweetbrier, with the pendent nest, with fluttering
moth-wings sunshine-dusted, with crowds of bursting buds, pours the
mellow sun in one great stream, pours from the peach-orchards the
fragrant breeze laden with bird-song. A girl, standing aside, with
clasped hands drooping before her, her gaze upon a shadow on the floor
in the midst of that broad stream of light. Casting that shadow, under
the lintel, a young man clad for travel. Since he left his Southern
home, ruin has befallen it; he dares not ask one lapped in luxury to
share such broken fortunes as his seem to-day, even though such stout
shoulders, so valiant a heart, buffet them. If she loves, it is enough;
they can wait; their treasure neither moth nor rust can corrupt; their
jewel is imperishable. If she loves--He is looking in her eyes, holding
to her his hands. Slowly the girl meets his glance. A long look, one
long, silent look, infinitude in its assurance, its glow wrapping her,
blue and smiling as heaven itself, reaching him like the evening star
seen through tears,--a word, a touch, had profaned with a trait of
earthliness so remote, so spiritual a betrothal. He goes, and still the
upward-smiling girl sees the sunshine, hears the bird-song,--a boy
dashes by the door and down the path to meet the last, close-lingering
embrace of two waiting arms at the gate,--and then there is nothing but
Public-domain text, read in full here on John Shaqi.
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