The Atlantic Monthly, Volume 17, No. 103, May, 1866: A Magazine of Literature, Science, Art, and PoliticsVarious
General
The Atlantic Monthly, Volume 17, No. 103, May, 1866: A Magazine of Literature, Science, Art, and Politics
Various
American periodicals
Yet he wrote the glorious episode of Francesca da Rimini, of which
Landor's Boccaccio says: "Such a depth of intuitive judgment, such a
delicacy of perception, exists not in any other work of human genius;
and from an author who, on almost all occasions, in this part of the
work, betrays a deplorable want of it."
Landor used often to say what Cleone has written to Aspasia,--"I do not
believe the best writers of love-poetry ever loved. How could they write
if they did? where could they collect the thoughts, the words, the
courage?" This very discouraging belief admits of argument, for there is
much proof to the contrary. Shelley and Keats could not write what they
had not felt; and Mrs. Browning's Sonnets from the Portuguese, the most
exquisite love-poems in the English language, came direct from the
heart. It were hardly possible to make poetry while living it; but when
the white heat of passion has passed, and hangs as a beautiful picture
on memory's walls, the artist may write his poem. If the best writers of
love-poetry have never loved, at least they have been capable of loving,
or they could not make the reader feel. Appreciation is necessary to
production. But Petrarca was such a poet as Cleone refers to. He was
happy to be theoretically miserable, that he might indite sonnets to an
unrequited passion: and who is not sensible of their insincerity? One is
inclined to include Dante in the same category, though far higher in
degree. Landor, however, has conceived the existence of a truly ardent
affection between Dante and Beatrice, and it was my good fortune to hear
him read this beautiful imaginary conversation. To witness the aged poet
throwing the pathos of his voice into the pathos of his intellect, his
eyes flooded with tears, was a scene of uncommon interest. "Ah!" said
he, while closing the book, "I never wrote anything half as good as
that, and I never can read it that the tears do not come." Landor's
voice must have been exceedingly rich and harmonious, as it then (1861)
possessed much fulness. This was the first and only time I ever heard
him read aloud one of his own Conversations.
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Public-domain text, read in full here on John Shaqi.
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