The Attic theatre : $b a description of the stage and theatre of the Athenians, and of the dramatic performances at AthensHaigh, A. E. (Arthur Elam)
History
The Attic theatre : $b a description of the stage and theatre of the Athenians, and of the dramatic performances at Athens
Haigh, A. E. (Arthur Elam)
Athens (Greece) -- Intellectual life; Greek drama -- History and criticism; Theater -- Greece -- Athens -- History -- To 500
From the examples of the use of the ekkyklema which have just been
cited we may gather some further particulars as to its character and
construction. It appears that persons upon the ekkyklema could easily
descend to the stage, and that persons on the stage could easily touch
those on the ekkyklema. It follows that it must have been a low platform,
not much above the level of the stage. As regards its length and breadth,
it was evidently large enough to support several persons. At the same
time it cannot have been of any very great size. Its width must have been
less than the width of the doors in the background, to permit of its
being rolled through them. Its depth cannot have been very great, because
of the narrowness of the Greek stage. In the Acharnians, when Euripides
is rolled out, he is represented as still sitting in his room upstairs.
But it is unlikely, as some suppose, that in this case the platform was
made taller than usual, to produce the effect of an upper story. As
Euripides has to hand various articles to Dicaeopolis, who is standing on
the stage, there cannot have been much difference of level between the
two. The exact mechanism of the ekkyklema, however, remains uncertain.
It is practically undisputed that the grooves or rails found at Eretria,
running on to the later stage straight from its back-scene were intended
for some such contrivance to run on.[626] On the other hand it has been
argued from the use of certain words in the scholiast’s descriptions
that the ekkyklema must have revolved on a pivot,[627] and it has been
suggested that the mechanism was like that of which a diagram is given in
the accompanying figure, where _ss_ is the stage, _ww_ the back-scene,
_a_ shows the ekkyklema at rest and not in use, _b_ shows it in process
of being rolled round for use, _c_ shows it after being rolled out. This,
however, finds no confirmation in anything in the ruins; the straight
rails at Eretria are against it, and the words referred to may be
explained by the use of a windlass or similar mechanism used in rolling
out the ekkyklema. Judging from the width of the rails at Eretria, the
width of the ekkyklema may have been about ten feet, and the doors must
therefore have been rather larger. The suggested revolving ekkyklema
might afford more standing room, but there is not sufficient evidence of
its existence.
[Illustration: FIG. 14 A.]
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account