The Attic theatre : $b a description of the stage and theatre of the Athenians, and of the dramatic performances at AthensHaigh, A. E. (Arthur Elam)
History
The Attic theatre : $b a description of the stage and theatre of the Athenians, and of the dramatic performances at Athens
Haigh, A. E. (Arthur Elam)
Athens (Greece) -- Intellectual life; Greek drama -- History and criticism; Theater -- Greece -- Athens -- History -- To 500
The second class of extra performers took all those minor parts in which
there was a certain amount of speaking or singing, but which it was
impossible for the regular actors to take. In tragedy such performers
were mostly required for the boys’ parts, which were unsuitable for
grown-up actors. Euripides was especially fond of introducing boys upon
the stage. In the Alcestis Eumelus bewails his mother’s death in a short
ode. Another example is the mournful dialogue between Andromache and her
little son Molossus.[711] In the Old Comedy these additional actors were
frequently needed to perform small parts at times when the three regular
actors were already on the stage. Examples are very numerous. There are
the daughters of Trygaeus in the Peace, and the daughters of the Megarian
in the Acharnians. The herald and Pseudartabas are additional examples
from the Acharnians.[712]
In the third place an extra chorus was sometimes required. The Propompi
in the Eumenides, and the chorus of boys in the Wasps, both appear side
by side with the regular chorus, and must therefore have been personated
by extra performers. An additional chorus, consisting of shepherds, was
also required in the Alexander of Euripides.[713] Sometimes the extra
chorus was not visible to the spectators, but sang behind the scenes. In
such cases the singing might be done by members of the regular chorus,
if they had not yet entered the orchestra. Examples are to be found in
the chorus of frogs in the Frogs of Aristophanes, and Agathon’s chorus in
the Thesmophoriazusae.[714] Their part would be taken by members of the
regular chorus. In the opening scene of the Hippolytus a band of huntsmen
sing a short ode to Artemis upon the stage. Immediately after their
disappearance the regular chorus, consisting of women of Troezen, enters
the orchestra. In this case the huntsmen cannot have been personated by
members of the regular chorus; but it is possible that the singing was
done by the chorus behind the scenes, while the huntsmen were represented
by mute figures.[715]
§ 4. _Costume of the Tragic Actors._
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account