The Attic theatre : $b a description of the stage and theatre of the Athenians, and of the dramatic performances at AthensHaigh, A. E. (Arthur Elam)
History
The Attic theatre : $b a description of the stage and theatre of the Athenians, and of the dramatic performances at Athens
Haigh, A. E. (Arthur Elam)
Athens (Greece) -- Intellectual life; Greek drama -- History and criticism; Theater -- Greece -- Athens -- History -- To 500
The dress of the actors in tragedy was always entirely distinct from
that of the chorus. The chorus consisted originally of satyrs, the
half-human followers of Dionysus. Later on it came to be composed in most
cases of ordinary citizens, and was dressed accordingly. But the actors
represented from the first the gods and heroes of the old mythology. For
them a different costume was required. The practice of the Greeks in
regard to this costume was totally opposed to all modern notions upon
the subject. Historical accuracy and archaeological minuteness in the
mounting of a play were matters of complete indifference to the Greeks.
Accordingly, when bringing these heroic characters upon the stage,
they never made any attempt to produce an accurate imitation of the
costume of the Homeric period. At the same time they were not content
that the heroes and gods of their tragedy should appear upon the scene
in the garments of ordinary life. Such an arrangement would have been
inconsistent with the ideal character of Greek tragedy. A special dress
was therefore employed, similar to that of common life, but more flowing
and dignified. The garments were dyed with every variety of brilliant
colour. The bulk of the actor was increased by padding his chest and
limbs, and placing huge wooden soles under his feet. Masks were employed
in which every feature was exaggerated, to give superhuman dignity
and terror to the expression. In this way a conventional costume was
elaborated, which continued for centuries to be the regular dress of the
tragic actors. All the leading characters in a Greek tragedy were dressed
in this fashion, with only such slight variations and additions as the
particular case required.
Public-domain text, read in full here on John Shaqi.
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