The Attic theatre : $b a description of the stage and theatre of the Athenians, and of the dramatic performances at AthensHaigh, A. E. (Arthur Elam)
History
The Attic theatre : $b a description of the stage and theatre of the Athenians, and of the dramatic performances at Athens
Haigh, A. E. (Arthur Elam)
Athens (Greece) -- Intellectual life; Greek drama -- History and criticism; Theater -- Greece -- Athens -- History -- To 500
Comedy was the special product of the Lenaea, and was regarded as of more
importance than tragedy. It was doubtless at this festival that comic
contests were first regularly organized. The date is not recorded. But
they must have been in existence at any rate as early as 463,[97] since
at that time they were already included in the City Dionysia. There is
also another piece of evidence. Chionides, one of the early comic poets,
is said to have begun to exhibit plays in 487. It is unlikely that the
exact year of his first appearance would have been remembered, unless it
had referred to a regular public contest. Hence we may probably assume
that comic contests had been established as early as 487; and if so,
they may have been established at the Lenaea.[98] But they cannot go
back beyond about 500, since comedy in general was a later institution
than tragedy. The first definite and dated record of a comic contest
at the Lenaea is for the year 425, when Aristophanes produced his
Acharnians.[99] From this time forward the history of comedy at the
Lenaea is much the same as its history at the City Dionysia. During the
fifth century there were three competing poets, and each brought out a
single play.[100] In the fourth century the number of poets was varied to
five.[101] The practice of exhibiting an old comedy as a prelude to the
new ones was introduced in the course of the next hundred years.[102] In
the second century original comedy was still flourishing as vigorously as
ever at Athens, though none of the records so far dated with certainty
refer to the Lenaea.[103] There is no evidence as to its later course.
Public-domain text, read in full here on John Shaqi.
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