The Attic theatre : $b a description of the stage and theatre of the Athenians, and of the dramatic performances at AthensHaigh, A. E. (Arthur Elam)
History
The Attic theatre : $b a description of the stage and theatre of the Athenians, and of the dramatic performances at Athens
Haigh, A. E. (Arthur Elam)
Athens (Greece) -- Intellectual life; Greek drama -- History and criticism; Theater -- Greece -- Athens -- History -- To 500
Whether the decision of the judges was generally given with discernment,
and how far it corresponded with the ultimate verdict of posterity, is
a question of some interest. Both Aeschylus and Sophocles were usually
successful, and this speaks highly for the taste of the judges. Aeschylus
won thirteen victories; and as he produced four plays on each occasion,
it follows that no less than fifty-two of his plays obtained the first
prize. Whether the total number of his plays was seventy or ninety,
the proportion of victories was very large.[135] Sophocles was equally
fortunate. He won eighteen victories at the City Dionysia, and at least
two at the Lenaea.[136] The number of his plays, as given by different
authorities, varies from a hundred-and-four to a hundred-and-thirty.[137]
Thus on the lowest estimate considerably more than half his plays gained
the first position. Euripides was not so successful. He only won five
victories, though he wrote between ninety and a hundred plays.[138] His
failure was partly due to the fact that he often had the misfortune
to contend against Sophocles. He was beaten by Sophocles in 438 and
431, and probably on many other occasions of which no record has been
preserved.[139] But at other times he was defeated by very inferior
poets. In 415 he was beaten by Xenocles, and on another occasion by the
obscure poet Nicomachus.[140] But the most surprising verdict of which
there is any record is the defeat of the Oedipus Tyrannus of Sophocles by
Philocles, the nephew of Aeschylus.[141] Of course the other three plays,
along with which the Oedipus Tyrannus was produced, may not have been of
equal merit. Still it must always seem an extraordinary fact, and a proof
of the fallibility of Athenian judges, that a play which is generally
allowed to be one of the greatest dramas of antiquity should have been
defeated by a third-rate poet such as Philocles.
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