The Attic theatre : $b a description of the stage and theatre of the Athenians, and of the dramatic performances at Athens — John Shaqi
The Attic theatre : $b a description of the stage and theatre of the Athenians, and of the dramatic performances at AthensHaigh, A. E. (Arthur Elam)
History
The Attic theatre : $b a description of the stage and theatre of the Athenians, and of the dramatic performances at Athens
Haigh, A. E. (Arthur Elam)
Athens (Greece) -- Intellectual life; Greek drama -- History and criticism; Theater -- Greece -- Athens -- History -- To 500
Verdicts of this indefensible character might be due to various causes.
The judges might be corrupt, or might be intimidated. The spirit of
emulation ran very high at these contests, and men were often not very
particular as to the means by which they obtained the victory. There is
an instance in one of the speeches of Lysias. The defendant is showing
that the prosecutor had been on very friendly terms with him a short
time before. The proof he brings forward is that when he was choregus
at the City Dionysia he got the prosecutor appointed on the preliminary
list of judges for the express purpose of voting for his own chorus.
The prosecutor was pledged to vote for the chorus of the defendant,
whether it was good or bad. He appears to have actually done so; but
unfortunately, at the final drawing, his name was not selected, and
his vote was therefore of no value.[142] Another example of the use of
corruption is afforded by the case of Meidias, who is said to have won
the victory with his chorus of men at the City Dionysia by bribing or
intimidating the judges.[143] Similarly at a contest of boys’ choruses,
Alcibiades, in spite of his outrageous conduct in assaulting a rival
choregus, won the first prize, because some of the judges were afraid
to vote against him, and others had been bought over to his side.[144]
The verdict of each individual judge was made public. Hence it is easy
to see that judges might often be afraid to incur the hostility of rich
and unscrupulous citizens by voting against them. The above instances
all refer to dithyrambic contests. No doubt in these cases, as the whole
tribe was concerned with the result, party feeling ran exceptionally
high. In the dramatic competitions only individuals were engaged, and
there was less general excitement about the result. Yet even here corrupt
influences were sometimes employed. Menander, the greatest comic poet of
his time, was often defeated by Philemon owing to jobbery and intrigue
similar to that described above.[145]
Public-domain text, read in full here on John Shaqi.
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