“He’s very precocious and very sensitive, and his mother thinks she can’t
begin to guard him too early.” Miss Ambient’s head drooped a little to
one side and her eyes fixed themselves on futurity. Then of a sudden
came a strange alteration; her face lighted to an effect more joyless
than any gloom, to that indeed of a conscious insincere grimace, and she
added “When one has children what one writes becomes a great
responsibility.”
“Children are terrible critics,” I prosaically answered. “I’m really
glad I haven’t any.”
“Do you also write, then? And in the same style as my brother? And do
you like that style? And do people appreciate it in America? I don’t
write, but I think I feel.” To these and various other inquiries and
observations my young lady treated me till we heard her brother’s step in
the hall again and Mark Ambient reappeared. He was so flushed and grave
that I supposed he had seen something symptomatic in the condition of his
child. His sister apparently had another idea; she gazed at him from
afar—as if he had been a burning ship on the horizon—and simply murmured
“Poor old Mark!”
“I hope you’re not anxious,” I as promptly pronounced.
“No, but I’m disappointed. She won’t let me in. She has locked the
door, and I’m afraid to make a noise.” I daresay there might have been a
touch of the ridiculous in such a confession, but I liked my new friend
so much that it took nothing for me from his dignity. “She tells me—from
behind the door—that she’ll let me know if he’s worse.”
“It’s very good of her,” said Miss Ambient with a hollow sound.
Public-domain text, read in full here on John Shaqi.
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