The Automaton Ear, and Other Sketches — John Shaqi
The Automaton Ear, and Other SketchesMcLandburgh, Florence
Science
The Automaton Ear, and Other Sketches
McLandburgh, Florence
American fiction -- 19th century; Short stories, American
I would have resigned my professorship, only it might create suspicion.
I knew not that already they viewed me with curious eyes and sober
faces. When the session finally closed, they tried to persuade me to
leave the college during vacation and travel on the continent. I would
feel much fresher, they told me, in the Autumn. In the Autumn? Ay,
perhaps I might, perhaps I might, and I would not go abroad.
Once more the reapers came unnoticed. My work progressed slowly. Day by
day I toiled up in the old church tower, and night by night I dreamed.
In my sleep it often seemed that the instrument was suddenly completed,
but before I could raise it to my ear I would always waken with a
nervous start. So the feverish time went by, and at last I held it ready
for a second trial. Now the instrument was adjustable, and I had also
improved it so far as to be able to set it very accurately for any
particular period, thus rendering it sensible only to sounds of that
time, all heavier and fainter vibrations being excluded.
I drew it out almost to its limits.
All the maddening doubts that had haunted me like grinning specters
died. I felt no tremor, my hand was steady, my pulse-beat regular.
The soft breeze had fallen away. No leaf stirred in the quiet that
seemed to await my triumph. Again the crimson splendor of sun-set
illumined the western sky and made a glory overhead—and the dusk was
thickening down below among the mouldering slabs. But that mattered not.
I raised the trumpet to my ear.
Hark!—The hum of mighty hosts! It rose and fell, fainter and more faint;
then the murmur of water was heard and lost again, as it swelled and
gathered and burst in one grand volume of sound like a hallelujah from
myriad lips. Out of the resounding echo, out of the dying cadence a
single female voice arose. Clear, pure, rich, it soared above the tumult
of the host that hushed itself, a living thing. Higher, sweeter, it
seemed to break the fetters of mortality and tremble in sublime
adoration before the Infinite. My breath stilled with awe. Was it a
spirit-voice—one of the glittering host in the jasper city “that had no
need of the sun, neither of the moon to shine in it?” And the water, was
it the river clear as crystal flowing from the great white throne? But
no! The tone now floated out soft, sad, human. There was no sorrowful
strain in that nightless land where the leaves of the trees were for the
healing of the nations. The beautiful voice was of the earth and
sin-stricken. From the sobbing that mingled with the faint ripple of
water it went up once more, ringing gladly, joyfully; it went up
inspired with praise to the sky, and—hark! the Hebrew tongue:—
“The horse and his rider hath he thrown into the sea.”
Then the noise of the multitude swelled again, and a crash of music
broke forth from innumerable timbrels. I raised my head quickly—it was
the song of Miriam after the passage of the Red Sea.
I knew not whether I lived.
Public-domain text, read in full here on John Shaqi.
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