The Automaton Ear, and Other SketchesMcLandburgh, Florence
Science
The Automaton Ear, and Other Sketches
McLandburgh, Florence
American fiction -- 19th century; Short stories, American
I bent my ear eagerly to the instrument again and heard—the soft rustle,
the breathing as of a sleeping forest. A plaintive note stole gently
out, more solemn and quiet than the chant of the leaves. The mournful
lay, forlorn, frightened, trembled on the air like the piteous wail of
some wounded creature. Then it grew stronger. Clear, brilliant, it burst
in a shower of silver sounds like a whole choir of birds in the glitter
of the tropical sunlight. But the mournful wail crept back, and the
lonely heartbroken strain was lost, while the leaves still whispered to
one another in the midnight.
Like the light of a distant star came to me this song of some
nightingale, thousands of years after the bird had mouldered to nothing.
At last my labor had been rewarded. As sound travels in waves, and these
waves are continually advancing as they go round and round the world,
therefore I would never hear the same sound over again at the same time,
but it passed beyond and another came in its stead.
All night I listened with my ear pressed to the instrument. I heard the
polished, well-studied compliments, the rustle of silks, and the quick
music of the dance at some banquet. I could almost see the brilliant
robes and glittering jewels of the waltzers, and the sheen of light, and
the mirrors. But hush! a cry, a stifled moan. Was that at the——No, the
music and the rustle of silk were gone.
“Mother, put your hand here,—I am tired, and my head feels hot and
strange. Is it night, already, that it has grown so dark? I am resting
now, for my book is almost done, and then, mother, we can go back to the
dear old home where the sun shines so bright and the honeysuckles are
heavy with perfume. And, mother, we will never be poor any more. I know
you are weary, for your cheeks are pale and your fingers are thin; but
they shall not touch a needle then, and you will grow better, mother,
and we will forget these long, long, bitter years. I will not write in
the evenings then, but sit with you and watch the twilight fade as we
used to do, and listen to the murmur of the frogs. I described the
little stream, our little stream, mother, in my book.—Hark! I hear the
splash of its waves now. Hold me by the hand tight, mother. I am tired,
but we are almost there. See! the house glimmers white through the
trees, and the red bird has built its nest again in the cedar. Put your
arm around me, mother, mother—”
Then single, echoless, the mother’s piercing cry went up—“O my God!”
Great Heaven! It would not always be music that I should hear. Into this
ear, where all the world poured its tales, sorrow and suffering and
death would come in turn with mirth and gladness.
Public-domain text, read in full here on John Shaqi.
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