Paris (France) -- Fiction; País Vasco (Spain) -- Fiction
If Cartaret's glance indicated that he would like to throttle the
composer, Cartaret's glance did not misinterpret.
"We won't discuss that, if you please," said he.
But Houdon was incapable of understanding such glances in such a
connection. He tapped for the attention of his orchestra and got it.
"Messieurs," he announced, "our good friend of the America of the
North has been having an adventure."
Everybody looked at Cartaret and everybody smiled.
"Delicious," squeaked Varachon through his broken nose.
"Superb," trilled the pear-shaped singer Devignes.
Garnier's lantern-jaws went on eating. Seraphin Dieudonné caught
Cartaret's glance imploringly and then shifted, in ineffectual
warning, to Houdon.
"But that was only what was to be expected, my children," the musician
continued. "What can we poor Frenchmen look for when a blond Hercules
of an American comes, rich and handsome, to our dear Paris? Only
to-day I observed, renting an abode in the house that Monsieur and I
have the honor to share, a young mademoiselle, the most gracious and
beautiful, accompanied by a _tuteur_, the most ferocious; and I noted
well that they went to inhabit the room but across the landing from
that of M. Cartarette. Behold all! At once I said to myself: 'Alas,
how long will it be before this confiding----'"
He stopped short and looked at Cartaret, for Cartaret had grasped the
performing hand of the composer and, in a steady grip, forced it
quietly to the table.
"I tell you," said Cartaret, gently, "that I don't care to have you
talk in this strain."
"How then?" blustered the amazed musician.
"If you go on," Cartaret warned him, "you will have to go on from the
floor; I'll knock you there."
"Maurice!" cried Seraphin, rising from his chair.
"Messieurs!" piped Devignes.
Varachon growled at Houdon, and Garnier reached for a water-bottle as
the handiest weapon of defense. Houdon and Cartaret were facing each
other, erect, each waiting for the other to make a further move, the
former red, the latter white, with anger. There followed that flashing
pause of quiet which is the precursor of battle.
The battle, however, was not forthcoming. Instead, through the
silence, there came a roar of voices that diverted the attention of
even the chief combatants. It was a roar of voices from the café
below: a heavy rumble that was unmistakably Madame's and a clatter of
unintelligible shrieks and demands that were feminine but
unclassifiable. Now one voice shouted and next the other. Then the two
joined in a mighty explosion, and little Pasbeaucoup was shot up the
stairs and among the diners as if he were the first rock from the
crater of an emptying volcano.
He staggered against the table and jolted the water-bottle out of the
poet's hand.
"Name of a Name!" he gasped. "She is a veritable tigress, that woman
there!"
Public-domain text, read in full here on John Shaqi.
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