Babur's home-milieu favoured excellence in the quiet Arts and set before its children high standard and example of proficiency. Moreover, by schooling him in obedience to the Law, it planted in him some of Art's essentials, self-restraint and close attention. Amongst primal influences on him, his mother Qut-luq-nigar's ranked high; she, well-born and a scholar's daughter, would certainly be educated in Turki and Persian and in the home-accomplishments her governess possessed _(ātūn_ q.v.). From her and her mother Aisan-daulat, the child would learn respect for the attainments of his wise old grandfather Yunas Khan. Aisan-daulat herself brought to her grandson much that goes to the making of a man; nomad-born and sternly-bred, she was brave to obey her opinion of right, and was practically the boy's ruling counsellor through his early struggle to hold Farghana. With these two in fine influence must be counted Khan-zada, his five-years elder sister who from his birth to his death proved her devotion to him. Her life-story tempts, but is too long to tell; her girlish promise is seen fulfilled in Gul-badan's pages. `Umar Shaikh's own mother Shah Sultan Begim brought in a type of merit widely differing from that of Aisan-daulat Begim; as a town-lady of high Tarkhan birth, used to the amenities of life in a wealthy house of Samarkand, she was, doubtless, an accomplished and cultured woman. `Umar Shaikh's environment was dominated for many years by two great men, the scholar and lover of town-life Yunas Khan and the saintly Ahrari (_i.e._ Khwaja `Ubaidu'l-lah) who were frequently with him in company, came at Babur's birth and assisted at his naming. Ahrari died in 895-1491 when the child was about seven years old but his influence was life-long; in 935-1529 he was invoked as a spiritual helper by the fever-stricken Babur and his mediation believed efficacious for recovery (pp. 619, 648). For the babe or boy to be where the three friends held social session in high converse, would be thought to draw blessing on him; his hushed silence in the presence would sow the seed of reverence for wisdom and virtue, such, for example, as he felt for Jami (_q.v._). It is worth while to tell some part at least of Yunas' attainments in the gentler Arts, because the biography from which they are quoted may well have been written on the information of his wife Aisan-daulat, and it indicates the breadth of his exemplary influence. Yunas was many things—penman, painter, singer, instrumentalist, and a past master in the crafts. He was an expert in good companionship, having even temper and perfect manners, quick perception and conversational charm. His intellectual distinction was attributed to his twelve years of wardship under the learned and highly honoured Yazdi (Sharafu'd-din 'Ali), the author of the _Zafar-nama_ [Timur's Book of Victory]. That book was in hand during four years of Yunas' education; he will thus have known it