Paul’s Work was entered by a small courtyard with an iron gateway leading
to a narrow door immediately below an outside stair. This stair led to
the counting-room, adjoining which was the room allotted to Sir Walter
Scott on his visits. The window of this room is shown in the accompanying
illustration.
In those days work began at either six or seven in the morning—the
“devils” having been there an hour earlier for sweeping and cleaning.
There was an hour, from nine to ten, for breakfast, a healthy arrangement
long since given up under the pressure of modern business, which tends
more and more to fewer breaks in the day—although the removal of
work-places to suburban districts may also have had much to do with this
change. The workmen now make their appearance at eight, and the dinner
interval is from one to two, instead of from two to three as in former
days.
[Illustration: ENTRANCE TO THE OFFICES OF OLD PAUL’S WORK]
Close by the entrance-doorway sat the time-keeper, a post long held by
Mr. Smith, an old grey-headed man, father of Alexander Smith the poet,
author of “A Life Drama,” and for some time Secretary to Edinburgh
University. Passing upwards by devious stairways to what was known as the
“long case-room,” here one would find about thirty or forty compositors,
busily dipping their fingers into cases of types—spelling, capitalising,
and punctuating line after line from the manuscript or “copy” before
them—amidst the joke and chaff flying among themselves, and the noisy
hammering of wooden “mallets” at the imposing tables or “stones” down the
centre of the room, on which the “formes” of type were being corrected
and got “ready for press.” A second case-room, with about twenty men,
was on another, higher flat; adjoining this, in course of time, was the
stereo foundry.
Beyond the long case-room, on a slightly different level, was a fairly
large room, partitioned off like so many sentry-boxes, occupied by that
much-maligned but indispensable class, the printer’s Readers, each with
his attendant satellite or “devil.”
Public-domain text, read in full here on John Shaqi.
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