French fiction -- Translations into English; Paris (France) -- Social life and customs -- Fiction
"Mademoiselle Blanche is a charming girl; oh, yes, she is a charming
child,--pretty, very pretty. I defy all your court ladies to have more
beautiful eyes, or a fresher mouth, or whiter teeth; and such beautiful
hair, black as jet and falling below her knees. And with all that, so
sweet, so frank, without the least idea of coquetry. Ah, she is candor,
innocence, itself. Of course, she's not yet sixteen years old; but there
are many young girls at that age who already listen to lovers. What a
pity if such a treasure as that should fall into the claws of a demon!
But we shall save her from that. Yes, yes; I'm sure of it. I shall do
all that's necessary for that, for it's not enough to watch over a young
girl; the devil is so malicious, and all these bachelors, these
students, these pages, are so enterprising, without counting the young
noblemen, who make no scruple of abducting young girls and women, and
for all compensation give a stroke of the sword, or cause to be whipped
by their lackeys those who complain of their treatment. Good Saint
Marguerite! what a time we live in! One must allow one's self to be
outraged, offended, robbed even,--yes, robbed,--for if you should have
taken your man in the act, if you demand justice, they will ask you if
you yourself were a witness to it. If you say no, they will dismiss the
guilty person, and if you say yes, they will first find out if you have
the means of paying the expenses of the law, in which case you may have
the pleasure of seeing the thief flogged before your door, and that will
cost you a heap. But if it is someone with a title who has offended you,
it's necessary for you to be silent about it, unless you wish to finish
your days at the Bastile or at the Chatelet."
Marguerite was silent for some minutes, awaiting a response from her
master. Receiving none, she presumed that he tacitly approved of all she
was saying, and resumed her discourse.
Public-domain text, read in full here on John Shaqi.
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